Tamara Kotevska, co-director of Honeyland, Oscar-shortlisted for both Doc Feature and Best International Feature, talks to Business Doc Europe.
Chinese/Dutch producer Jia Scheffer talks to BDE about one of IDFA 2019’s audience pleasers, debutante Han Meng’s Smog Town, which illustrates the massive problems inherent within the business of environmental…
After the dust settled on IDFA 2019, Esther van Messel of First Hand Films outlined her market sales to Business Doc Europe.
EFA's Marion Döring and IFFR chief Bero Beyer on the initiative to support filmmakers facing political persecution .
The hidden history of Afghan cinema is revealed in Ariel Nasr’s extraordinary feature documentary The Forbidden Reel, which world-premiered in IDFA Frontlight.
Exactly one month after the much-debated exhumation of the remains of Spanish dictator Franco, a documentary about the unhealed wounds of the Franco era world premieres at IDFA.
Kim Longinotto’s new documentary Shooting The Mafia (IDFA Masters) was conceived in unlikely fashion.
The award comes with a cash prize of €5,000.
Renowned filmmaker Jørgen Leth talks about the devastating earthquake in Haiti and his redemptive journey into the jungles of Laos, as detailed in his IDFA competition title I Walk.
Docs for Sale producer Stella Bronwasser went to bed on November 24 and woke up next morning to a Facebook timeline jam-packed with congratulatory notices, after her film won best…
New York based doc specialists Cargo Film & Releasing is extending its relationship with documentary legend (and IDFA regular) Barbara Kopple.
The IDFA Bertha Fund has developed into a powerhouse player for new documentary from Africa, Asia, Latin America, the Middle East and Eastern Europe (the so called IBF regions).
On 27 Nov 2019, IDFA announced the winners within each of the competition programs during the Awards Ceremony at Eye Film Museum, with the top prize going to Heidi Hassan…
Polish filmmakers Małgorzata Goliszewska and Kasia Mateja tell Business Doc Europe about their Lessons of Love, screening at IDFA 2019
A deeply personal film and testament, Carol Benjamin’s I Owe You a Letter About Brazil tells of three generations of a family living through Brazil’s two-decade military dictatorship (1964-85).
Pierre-Alexis Chevit, who heads up Cannes Marché’s documentary section, was at IDFA to bang the drum to the sector and to announce his department’s new name, Cannes Docs.
“Characters always come my way like a casualty,” explains Mexican director Sérgio Morkin of his feature doc Maricarmen, selected for Docs for Sale.
If you don’t know about the warrior monks living in seclusion in Italy, you would never believe they could have ever existed. Business Docs Europe talks to Valentina Pedicini, director…
On Monday 26 November Bellingcat – Truth in a Post-truth World Picked up the International Emmy Award in the Best Documentary category.
The German documentary presence at IDFA is particularly impressive in 2019 with 41 projects, fairly equally split in terms majority and minority stakeholder status, selected across all sections.
Irena Taskovski, founder and Managing Director of Taskovski Films, has been highlighting one side of the documentary business that few practitioners are willing to talk about openly – their health.
Eva Marie Rødbro’s debut doc I Love You I Miss You I Hope I See You Before I Die is a seering study of poverty in the US, and a…
The subject of Somali/Spanish producer Hayat Traspas’ Victims of Impunity is one that she maintains has been kept conveniently hidden for the past two decades.
I Walk is an intuitive, unconventional, sometimes anti-aesthetic record of filmmaker Jorgen Leth's attempts to make sense of destruction, old age and fear.
Jascha de Wilde and Ben Hendriks’ Mad About Truffles, selected for Docs for Sale, illustrates the passions evoked by the most sought-after of culinary delicacies.
Irem Couchouron, head of Public Programs at the Silbersalz Science and Media Festival spoke to Business Doc Europe about the festival’s rationale.
Sydney Neter, founder and managing director of Amsterdam-based sales agent SND Films, is going into business with Marilyn Monroe and Joan Collins.
Becoming Black has one of those jaw dropping storylines that you find from time to time in documentaries about families.
Edward Snowden, the world’s most celebrated whistleblower and subject of Laura Poitras’ Citizen Four (2014), joined director Tonje Hessen Schei by Skype after the November 24 screening of her iHuman.
‘All I can look for is an image. An image where you can find me,’ is a sentiment expressed in the opening scene of In a Whisper, and states what…
Laura Herrero Garvin’s impromptu visit to the Cabaret Barba Azul in Mexico City led to her new documentary, La Mami (sold by Dogwoof and a world premiere at IDFA ).
Nick Broomfield on Boris, Brexit, Trump and his dad (and Marianne… and Leonard)
In Prison for Profit the Van Velzen twins point the finger at multi-national security firm G4S and its dealings in South Africa.
At IDFA, HotDocs programming director Shane Smith confirmed to Business Doc Europe that the festival’s collaboration with European Film Promotion on the Changing Faces of Europe programme will continue in…
Ask most professionals active within the European marketplace where the current epicentre of documentary activity is to be found, and the answer will invariably be Norway.
An Azeri son and filmmaker returns to his mother after eight years – again – in this fascinating self-portrait that carves out its own path between observation and reconstruction.
Dutch director Oeke Hoogendijk is continuing her long association with Amsterdam’s Rijksmuseum.
When director Yung Chang was approached about making a film on journalist and Middle East expert, Robert Fisk, he didn’t hesitate to take the commission.
A ubiquitous presence at documentary festivals around the world, much loved Canadian documentary guru Peter Wintonick (1953-2013) is the subject of a feature doc himself.
Leading Dutch documentarist John Appel describes his latest feature Once the Dust Settles as a “three-act film with one theme”.
It’s big and it’s bold, it’s fat, fun and fearless. And to any detractors out there, including fat-shaming YouTuber Nicole Arbour, it’s 'get a life'.
As it ramps up its eco activities yet further, non-profit powerhouse Doc Society is to bring its Climate Story Lab to the UK next spring.
Head of Industry Adriek van Nieuwenhuijzen articulates the business offer at IDFA 2019, and explains why the next few days will be a little less nerve-wracking for some producers.
This year's DocLab, IDFA’s showcase for innovation, experimentation and a satisfying touch of weird, moves to the Tolhuistuin in Amsterdam North.
Cinephil boss Philippa Kowarsky highlights the challenges currently facing the doc world during a period of “crazy transition”.
First Hand Films’ managing director Esther van Messel has given details of the new fund the company is establishing.
Tonje Hessen Schei’s iHuman offers a sobering, some may argue terrifying, assessment of AI and its seemingly inevitable trajectory towards a state of self-sufficiency.
With admirable dedication, filmmaker Mehrdad Oskouei has made his fourth documentary on Iranian youth detention.
For a man living in exile, who has spent several years in prison and who is on the wrong side of Vladimir Putin, former oligarch Mikhail Khodorkovsky cuts a surprisingly…
Leading European doc outfit announces pick-up of competition selections King Of The Cruise and La Mami
After five years, the Ukrainian is ready to resume his filmmaking career, he says.
IDFA Creative Director Orwa Nyrabia is in buoyant mood and, it seems, justifiably so.