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Kees Driessen

Kees Driessen
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Tribeca Review: Kubrick by Kubrick, by Gregory Monro

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A new doc on Stanley Kubrick uses, for the first time, the audio of interviews conducted by French critic Michel Ciment. The result serves as a good introduction to his oeuvre, with the ‘final room’ from 2001 working as a clever focus point.

Visions du Réel review: Sapelo (National Comp)

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A nostalgic portrait of African-American Geechee culture on Sapelo Island, Georgia, focuses on the elderly Cornelia Bailey and her two adopted young sons, who represent her hopes for regeneration.

Berlin review: Gunda by Victor Kossakovsky

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In the Russian doc master's new film, animals which are usually thought of as meat are here observed as fellow living beings.

Berlin Review: Days of Cannibalism

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Using few words, Berlin-based director Teboho Edkins observes the interactions of cattle herders and Chinese immigrant traders in Lesotho, the country where he grew up.

IFFR review: Meanwhile on Earth, Carl Olsson

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After we die, it is different people’s jobs to clean, stitch, embalm, drive, lift, lower, burn, and bury our corpses. Carl Olsson’s documentary feature observes them all, in a series of tableaux of Sweden’s funeral process.

IFFR review: Drama Girl by Vincent Boy Kars

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In Tiger selection Drama Girl, Dutch filmmaker Vincent Boy Kars attempts revise a woman's past by dramatising it.

IDFA review: Mother and Son

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An Azeri son and filmmaker returns to his mother after eight years – again – in this fascinating self-portrait that carves out its own path between observation and reconstruction.

IDFA Review: opening film ...

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With admirable dedication, filmmaker Mehrdad Oskouei has made his fourth documentary on Iranian youth detention.