Kees Driessen

In the final part of his Sicilian trilogy, Michele Pennetta shows the economic/familial similarities between two marginalized characters sharing the sun-scorched island, a teenage boy and a young Nigerian immigrant.

Beautiful, experimental and boundary-testing documentary entertains with a strange double protagonist and a washed-up white whale.

Shot from a Zurich window, the film inventively combines images of demolition and re-construction with reflections on the loss of loved-ones and the harsh treatment of newly-arrived migrants.

A new doc on Stanley Kubrick uses, for the first time, the audio of interviews conducted by French critic Michel Ciment. The result serves as a good introduction to his oeuvre, with the ‘final room’ from 2001 working as a clever focus point.

A nostalgic portrait of African-American Geechee culture on Sapelo Island, Georgia, focuses on the elderly Cornelia Bailey and her two adopted young sons, who represent her hopes for regeneration.

In the Russian doc master's new film, animals which are usually thought of as meat are here observed as fellow living beings.

Using few words, Berlin-based director Teboho Edkins observes the interactions of cattle herders and Chinese immigrant traders in Lesotho, the country where he grew up.

After we die, it is different people’s jobs to clean, stitch, embalm, drive, lift, lower, burn, and bury our corpses. Carl Olsson’s documentary feature observes them all, in a series of tableaux of Sweden’s funeral process.

In Tiger selection Drama Girl, Dutch filmmaker Vincent Boy Kars attempts revise a woman's past by dramatising it.

An Azeri son and filmmaker returns to his mother after eight years – again – in this fascinating self-portrait that carves out its own path between observation and reconstruction.