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Early on, director Florian Heinzen-Ziob thought he would be traveling around the globe, meeting scientists at important institutions in different continents, in making his documentary about the climate crisis. But then he decided it would be a little perverse to roam so far so far afield when his subject was climate change. It made more sense, he eventually decided, to stay closer to home. “In Germany, it was much more easy because I could just do everything by train,” he tells BDE.

At Millennium Docs Against Gravity (MDAG, May 8-17), pitching does not only mean introducing projects in development. With Pole Position, the Warsaw-based festival has created a format designed for completed Polish documentaries already selected for its programme, giving producers the opportunity to present the completed works to international festival programmers, sales agents, distributors and broadcasters. BDE reports.

“We don’t separate cinematic quality from impact,” DocsBarcelona’s Èric Motjer tells BDE before doors open on the festival’s 29th edition. “We value both. We look for films that connect with the world we live in and that have cinematic value. I would say that giving value to the collective cinematic experience is central to how we think about the programme.” The festival runs May 7 to 17. Motjer is joined in interview by co-Artistic Director Maria Colomer.

The Polish feature documentary Closure tells the most desperate of personal stories, that of a dad searching for his lost son. “This film became one of the most challenging I’ve made on every level, because it required holding two impulses at once,” director Michał Marczak tells BDE. “On the one hand, I wanted to keep the crew minimal and intimate. On the other hand, I wanted the film to carry an epic scope, to convey emotion through images and atmosphere, through showing rather than telling.”

“I think there is no imperative for documentary films to change the world. But you can’t deny the fact that they do have an impact on our reality,” MDAG Artistic Director Karol Piekarczyk tells BDE, as he reflects on the global crises that have formed a grim backdrop to all our lives over the past years. The 23rd Millennium Docs Against Gravity docfest opens May 7 across seven Polish cities - Warsaw, Wroclaw, Gdynia, Poznan, Katowice, Lodz, Bydgoszcz - running 8 to 17 May 2026 in cinemas, before going online 19 May to 1 June.

DOKfest Munich boss Adele Kohout discusses her 2026 festival offer with BDE, at the same time reflecting on the heightened need for documentaries right now, and events such as hers to exhibit them. “The documentary is the best form of expression for our times,” she tells BDE. “I see the documentary as a magnifying glass, and its relevance is greater than ever. People have a need for the real, the authentic, especially when they…trust images less. And that is exactly what the documentary offers.” The festival runs May 6 to 18.

During the May 7 Opening Ceremony of the 23rd Millennium Docs Against Gravity, the feature documentary Fiume o morte! by Igor Bezinović was awarded the inaugural FIPRESCI Documentary Grand Prix, following a vote by members of the International Federation of Film Critics from around the world. The film has already received the European Film Award for Best European Documentary and was recognized at the Rotterdam festival, where it won both the Tiger Award in the Main Competition and the FIPRESCI Jury Prize.

Polish filmmaker Łukasz Kowalski is developing Children of the Black Garden, a new feature documentary rooted in the toxic legacy of Silesia’s industrial past, and the hidden story of a doctor who exposed mass lead poisoning among children in the 1970s. Produced by Anna Mazerant and Kowalski himself through 4.30 Studio, the project is among the titles being presented at Millennium Docs Against Gravity’s Progress Pitching Session on May 8.

Polish filmmaker Maciej Bochniak is developing The Lawyer, a new feature documentary following the extraordinary case of Brian Mwenda, a Kenyan man who reportedly passed himself off as a lawyer, built a reputation in Nairobi’s legal circles and became a national controversy after his real credentials were called into question. “I was drawn to Brian’s story because, in a certain way, I had lived it myself — due to my own diagnosed impostor syndrome,” says Bochniak.

Polish helmers Sylwia Witowska and Piotr Wacowski are in mid-production on After Roll Call. Legio Patria Nostra, a feature documentary set inside a French Foreign Legion veterans’ home in Puyloubier, in the south of France. “This is not a film about war,” the filmmakers underline. “It is about what happens to a person when the system that shaped them no longer exists.”

In No Mother’s Land, pitching May 8 in Warsaw, director Wiktoria Davis Szymańska recounts her gripping decade-long ordeal to protect her daughter, all the time trapped in a Kafkaesque legal nightmare. For Szymańska, the pitch also marks a decisive step in bringing to the screen a story she began filming long before it could be safely told. BDE reports.

The 22nd edition of the Docu Talents from the East – a presentation of the most remarkable new documentary projects from Central and Eastern Europe – will take place August 16 during the Cinelink Industry Days at Sarajevo FF. “The Docu Talents has proven to be an event that effectively interconnects documentary film professionals with festival selectors and producers. Each year we see very tangible results both for the careers of the selected filmmakers and for their films,” adds Jarmila Outratová, head of Ji.hlava IDFF Industry. The deadline for submissions is May 31.