Business Doc Europe

Laura Poitras and Mark Obenhaus’s feature doc Cover-Up tells the story of Pulitzer Prize-winning Seymour Hersh and his relentless investigative reporting - from the My Lai massacre to the Abu Ghraib torture scandal, from Nixon and Watergate to the sabotage of the Nord Stream platform. “He was, I think, the most important voice of dissent in national security reporting,” co-director Poitras, who is VdR Industry Special Guest in 2026, tells BDE. Poitras is joined in interview by co-director Mark Obenhaus.

Outgoing Artistic Director Emilie Bujès talks to Business Doc Europe about her ninth and final edition in charge of one of Europe’s leading festivals for non-fiction and hybrid cinema. Under her charge, the festival has emphasised “the cinematic experience first and foremost,” she tells BDE. “But at the same time, I truly believe in the power of creating bridges, spending one hour and a half with somebody looking at things the way they are looking at them, and understanding what they want to share beyond the aesthetic experience - a common life, a common present, a common moment, a common history.”

In his new documentary, set in Morocco, Belgian Jérôme le Maire investigates how a massive renewable energy complex will affect the life of a small Berber tribe. “It was from my own window that I first saw enormous machines raising clouds of dust on the horizon. My research revealed that the world’s largest renewable energy plant was to be built on this collective land - land that until then had belonged to no-one in particular, and yet to everyone,” the director tells Business Doc Europe.

When Sabine Fayoux Cantillo took over as Visions du Réel Head of Industry last autumn, the former Associate Director of Program at Chicken & Egg Films in New York was, in a sense, simply coming home. “When this opportunity came up, it was a no-brainer to return to a festival which has meant a lot to me in my career as a documentary worker…and to raise my child in my childhood home,” she tells BDE.

Shot on 16mm, its carefully graded black tones echoing the shadowy, ever-shifting levels of diffused light-and-shade as experienced by unsighted people, A Blind Song documents the tac-til Choir on their visit to Japan to explore the ancient tradition of the Goze - blind nomadic female musicians whose tradition dates back to medieval times. BDE talks to directors Stefano Canapa and Natacha Muslera, along with Cécile Sans, responsible for both writing and voice.

Chronicling one person’s experience of travelling across continents to escape a North African prostitution ring, Coming From the Sea follows a young Nigerian woman who embarks on a perilous odyssey across Europe to rebuild her life and protect her child - but the ghosts of her past are never far behind. “I don't like this word migrants we use in France. I prefer exiled people,” producer Emmanuel Gras tells BDE. “I want us to see them not as just figures of people who come, but as human beings, and above all as adventurers and explorers.”

From April 27 to May 1, 23 participants from 13 countries across the Mediterranean and MENA region will gather in Ajaccio, Corsica for a five-day workshop led by Alexandre Cornu and Diana El Jeiroudi. “At a time when unjust and devastating wars continue to affect parts of the Arab world, we believe it is more essential than ever to support documentary projects and voices from the region, and to foster meaningful collaboration and co-production between Western Asia, Europe and the Mediterranean,” organisers write.

The Docs-in-Progress program partners with institutions from around the world to exhibit carefully selected works at final stages of production and which are looking to hit the circuit within the coming weeks or months. Each of the eight showcases features four projects, presented in the form of a live pitch and a 10-minute excerpt of the rough-cut, designed to catch the attention of decision-makers, festival programmers, and sales agents. Cannes Docs runs 14-19 May 2026.

The 16 films competing for this year’s Doc Alliance Awards were announced April 15. Each of the seven European documentary festivals that make up the Doc Alliance network, together with this year’s guest festival GAIFF, the Golden Apricot Yerevan International Film Festival, has put forward one short and one feature-length documentary from its previous programme. The Doc Alliance Award will be presented on 19 May in Cannes during the Doc Day Lunch at the Marché du Film.

Three feature documentaries and one doc hybrid are selected for the Cannes sidebar section dedicated to independent, ground-breaking cinema. “The films presented are all gestures that bring us together—stories rooted in a poetic reality that is joyful, unexpected, but above all free and unformatted. They thus emerge as powerful acts of resistance—and of hope,” the ACID programmers collectively write.

The 12 films that constitute this year’s Main Competition represent an “absolute highlight of what is happening currently in documentary cinema,” write organisers, and are eligible for nine awards across the festival’s host cities of Warsaw, Wrocław, Gdynia, Poznań, Katowice, Łódź and Bydgoszcz. The 23rd Millennium Docs Against Gravity festival runs 8 to 17 May 2026, and online from May 19 to June 1.

Among the 19 features and shorts selected for Cannes Directors Fortnight 2026 are five documentaries. These include Thanks for Coming, the final instalment of Alain Cavalier’s ongoing filmed diary. “We are delighted by the significant presence of documentaries (3 features and 2 shorts)…showcasing highly distinctive works that demonstrate the exceptional richness and vitality of [the form],” comments Artistic Director Julien Rejl.