Business Doc Europe

In Gabin, director Maxence Voiseux follows his eponymous character, a precocious and sensitive boy from a rural background in northern France, over an entire decade of his life, from 8 to 18. On the one hand, the boy is fiercely proud of his roots and very loyal to his family’s way of life. On the other, he wants to “do something different” and this quickly puts him in conflict with his father. “For me, he [Gabin] is a strong cinema character because has to deal with these two sides of his life,” Voiseux tells BDE.

“I’m stating the obvious by saying that filmmakers and film festivals have a crucial role to play in preserving democracy, free speech, critical thinking, and in resisting reactionary ideologies,” a candid Pierre-Alexis Chevit, Head of Cannes Docs, tells BDE before doors open on the 2026 edition. The event kicks off May 14, and will culminate May 19 with Doc Day, which this year will include top-level contributions from the likes of Mstyslav Chernov, Mark Cousins, Ema Ryan Yamazaki and David Greaves, as well as the Docs-in-Progress Awards Ceremony.

Marcin Borchardt explains to BDE what led him to make his new feature documentary My Themersons, about the life and work of artists and filmmakers Franciszka and Stefan Themerson. “What moves me most…generally is their refusal to separate intellectual life from emotional life,” Borchardt says. “Stefan could write highly sophisticated philosophical texts and at the same time produce works full of absurd humour, tenderness and vulnerability. They were both profoundly serious and profoundly playful at once. That combination is extremely rare.”

Polish filmmakers Małgorzata Szumowska and Michał Englert talk to BDE about their new doc which, in turn, focuses on the work of a rehabilitation centre for victims of war, a Ukrainian transgender artist and dancer now living in Poland, and the Open Group artistic collective that explores the impact of the war on Ukrainian civilians. “I think we were quite sensitive observers,” says co-director Englert who, with Szumowska, learned the power of quiet observation when studying film in Łódź. “That’s the way of storytelling we always favour. Without words, you can say a lot.”

In their feature documentary Ice Women, selected for DOK.fest Munich, Jens Becker and Dorothea Braun set out to challenge the male-dominated story of Arctic exploration by shining the spotlight on the courage, resilience, and scientific contributions of women in the far North. For Braun, it all started with an old photograph of a woman in Arctic clothing wearing rifle. “I remember thinking: Why don’t I know her? Why have I never heard about women like her? The more I searched, the more I realized that the absence was not accidental.”

One of eccentric artist Arek Pasożyt’s pet obsessions is to find traces of the Tatra Mountains Panorama, a long-lost massive painting from the 1890s that was 115 metres long and 16 metres high - but that was broken up. In Bigger Picture, world-premiering at MDAG, Polish director Mikołaj Janik follows Arek on this journey. The artist is strongly left-wing, Janik tells BDE. He doesn’t believe in consumer culture, and he is relentlessly cheerful, refusing to become downcast about setbacks. He further likens him to an ancient knight on a heroic quest, or to “some kind of Indiana Jones…”

On May 14, the official MDAG Awards Ceremony took place at the Dramatic Theatre in Warsaw. The Grand Prix – Bank Millennium Award went to To Hold a Mountain by Biljana Tutorov and Petar Glomazić. For the first time at MDAG, the award of the International Federation of Film Critics (FIPRESCI) was presented, with the prize going to A Fox Under a Pink Moon by Mehrdad Oskouei, Soraya Akhlaghi. All awards…

At MDAG 2026, US filmmaker Alan Berliner delivered a generous masterclass titled Think Like a Filmmaker, guiding the audience through more than four decades of work built around memory, family, identity, insomnia, archive and the “fragility of the human condition.” Opening the session, Berliner gently questioned the very idea of a masterclass. “I have a little trouble with this word 'master,'” he said. “I’ve been making films for more than 40 years and really what that means is that I’ve made more mistakes than you.”

No Friend but the Mountains wins the DocsBarcelona Award for Best Project. Crossed wins the 3Cat Award for Best Project, the highest-value award at DocsBarcelona Pro (15,000 euros). My Sister Gaza won the ARTE European Talent Development Award and the Al Jazeera Documentary Co-production Award for Best Forum Project, each valued at 10,000 euros. All awards…

In Lucía Flórez’s feature doc project, a boy from a fishing family and a pioneering female marine scientist set out to tag whale sharks for the first time in Peru. Together they forge an unlikely bond, reshaping both the fate of the species and the boy’s future. “We started working on this film in 2023, we are currently in production, and we want to complete the film by the end of 2027,” the director told the Barcelona audience. “We think that by connecting a young protagonist's journey with a scientific and conservation story, we invite audiences to see the complexity of how we relate and coexist with the ocean.”

“It's a film about someone who turned tragedy into a driving force,” Polish director Dorota Roś told the professional audience during her pitch for the feature documentary Diary of Experiences, produced by Telemark. It is a film that details a man’s determination to speak again, through AI, after losing his voice to larynx cancer. For Konrad, the quest is not just about restoring speech, it’s also about reclaiming intimacy, belonging and identity.

Siblings Mohamed Jabaly, Rima Jabaly and Ibrahim Jabaly made a highly emotional presentation of their feature doc project My Sister Gaza during the Public Pitch session of DocsBarcelona. In the film, as bombs fall over Gaza, Rima and Ibrahim find in filmmaking a way to document their family’s displacement, capturing months of struggle to survive and the shattering of lives. Meanwhile a desperately worried Mohamed, in exile in Norway, stays in daily contact. The project is described as “a raw, intimate story of war, love, resilience, and the unbreakable bonds of family.”