Business Doc Europe

Daan Veldhuizen discusses his urgent new documentary, receiving its international premiere the festival’s Edge of Impact category, about how, after after transferring control of their former colony West Papua to Indonesia in 1962, the Dutch set in motion years of genocidal violence against the West Papuan people. “This is a very urgent and relevant story. It is just being kept away from the world,” Veldhuizen comments.

In the Guatemalan barrio of Ciudad Peronia, sisters Lesli and Lupe organise a spectacular comparsa, or street festival, to remember the 41 girls who burned to death in 2017 in a so-called ‘safe home,’ and to protest at the unacceptable levels of femicide, rape and sexual abuse in the country. “It aligned with the kind of storytelling we wanted to do, that was character-centred and about how real people make real change in their community without waiting for the system to change or without waiting for permission,” co-director Vickie Curtis tells BDE.

In her feature doc debut, UK director Jessi Gutch talks to folk in her new home town of Folkestone, which overwhelmingly voted for Brexit in 2016, about the business of identity and what it means to be British. Or perhaps more accurately, what does it mean to be English? “I wanted to just talk to people and not make this into a kind of hero-villain thing. I was going to go into this more open-minded with people, starting from a place of compassion rather than starting from a place of judgement,” she tells BDE.

In Indian Bipuljit Basu’s remarkable debut feature we meet a Kolkata-based troupe of sex workers and their children, who are driving change through CAM ON, their self-run creative community that makes dynamic films about their lives. “I wouldn't have become a filmmaker if I had not met this wonderful community,” says the self-taught Basu. “Over the past five years they shaped me as a filmmaker, awakened my emotion as a filmmaker, and they helped me to grow as a human being…Trusting their collective intelligence made this film possible.”

When he read a newspaper article in 2018 about matchmaking between North Korean refugee women and South Korean men, Norwegian Morten Traavik was immediately fascinated. “[But] being very much of an outsider linguistically, culturally, I needed somebody who could be the bridge to the subject of the film; someone not only bilingual but with a built-in cultural understanding of both worlds,” he explains to BDE as to why he turned to his eventual co-director Sun Kim.

Produced by Elijah Stevens, Humboldt USA interweaves the stories of people in three ‘Humboldt’ place names (in Nevada, Chicago, and California) who are taking unique steps toward tackling environmental concerns in their communities. “These oft-disparate narratives raise the question: in the face of ecological collapse and increasing virtualization of nature, what does it mean to be an environmentalist in America today?” Stevens posits to BDE.

The 2025 Sunny Side of the Doc pitch award winners were announced June 26 during the event’s closing ceremony. Over four days, the market gathered 2100 participants from 60 countries, over 1000 companies, 85 exhibitors, and 260 international decision-makers including major broadcasters, streamers, foundations, distributors, financiers, and museums from around the world. All winners…

Award-winning US docmaker Dawn Porter delivered a stirring keynote on the final day of Sunny Side 2025 during which she demonstrated how, through use of archive, history can (perhaps must) be told in many ways, and from myriad perspectives, but always with precision. “I can assure you that the reports [in the US] of the attack on truth and journalism…are not exaggerated,” she said. “We are not only tasked with telling history stories, but with making sure that the history that is told is not erased or distorted.”

Sitting on a potential goldmine of approximately 25% of the world's hydrocarbon reserves, the third-largest uranium reserves, and 20% of rare earths, Greenland is an icy Eldorado that today sparks all sorts of ambitions. “It's not the beauty of the landscapes which interests Donald Trump,” Jean-Yves Cauchard, co-director of Greenland, told the SSD professional audience of his latest project.

Mathare Fathers spotlights the lives of three single fathers from the vast Mathare slum (Nairobi, Kenya) who have left behind a life of crime to start a new one as single fathers. “Today, masculinity is at the crossroads,” says co-director Mattias Grosin says. “But these guys, they're building something so strong and beautiful together with the kids in one of the world's most harsh places. Love has become a lifeline.”

Leading documentary associations from the UK, Canada and the US announced this week in Sheffield the formation of a new international alliance to coordinate support for independent documentary film. IDA Director of Programs Abby Sun said: “We can all see the present and coming challenges to the sector on a political, financial and technological level. I know that together we are stronger, both in the US and internationally. Doc makers are some of the most resourceful, committed and agile people in the industry and right now we all need to pull together.”

“Are you sure about this, who’s going to want to watch a film about leftovers and creepy crawlies? It’s gross!” Producers Julien Adam (Capa Presse) and Sally Blake (Films a Cinq) invited the professional audience at Sunny Side into the loamy world of the compost bin during the pitch for their new doc project, Compost, The Hidden Treasure of our Waste, directed by Guilhem Touzery.