Business Doc Europe

Shot on 16mm, its carefully graded black tones echoing the shadowy, ever-shifting levels of diffused light-and-shade as experienced by unsighted people, A Blind Song documents the tac-til Choir on their visit to Japan to explore the ancient tradition of the Goze - blind nomadic female musicians whose tradition dates back to medieval times. BDE talks to directors Stefano Canapa and Natacha Muslera, along with Cécile Sans, responsible for both writing and voice.

Chronicling one person’s experience of travelling across continents to escape a North African prostitution ring, Coming From the Sea follows a young Nigerian woman who embarks on a perilous odyssey across Europe to rebuild her life and protect her child - but the ghosts of her past are never far behind. “I don't like this word migrants we use in France. I prefer exiled people,” producer Emmanuel Gras tells BDE. “I want us to see them not as just figures of people who come, but as human beings, and above all as adventurers and explorers.”

‘What we are trying to depict is this volcano as a mirror of the world… we cannot control it, so we have to be in contact with nature, and somehow co-exist together,” says Jasmina Sijercic, producer of a new documentary about the island of Stromboli, where the active volcano is a perpetual presence. Business Doc Europe caught up with her ahead of the ParisDOC Work-in-Progress screening of The Island, directed by Sara Rastegar and Simone Pozzi, on 25th March.

Chilean René Ballesteros’ feature documentary, world-premiering in Paris, follows the stories of two Mapuche men, Juan and Daniel, who were taken from their Chilean homeland as children and adopted by European families in dubious circumstances. A trained psychologist, the film has a personal undertow for the director. “Once I met Albert Maysles…and he told me that the link between being a psychologist and making documentaries is listening,” he tells BDE. “With both Juan and Daniel there was a connection, because I was trying to listen to myself, too.”

Dutch Bart van den Aardweg discusses his dynamic new documentary, shot in both Belgium and The Netherlands, which addresses alienation and how youths may resort either to criminality or radicalisation as an outlet. “I wanted to explore the mind of somebody on the so-called wrong path further and deeper, and to create an interior monologue, to connect their thoughts to the physical shape I had used before. And I knew that I had to live amongst my characters to catch the real story, make them talk to me.”

The Netherlands-based Italian filmmaker discusses his new feature documentary, selected for Movies That Matter, about the ongoing febrile political situation in Armenia. “The moment I got interested in Shahen was when I realised the pressure this young guy was under,” recalls director Marco De Stefanis. “He was keeping up the fight while his father was in prison. I felt really sorry for a guy that age that doesn’t have the same youth I had.”

The award will go to one of 12 feature documentaries about luminaries working within the arts – ranging from film, music, and theatre to literature and the avant-garde. Festival partner The National Fryderyk Chopin Institute funds the €2000 prize. The 23rd MDAG will take place from May 8-17, 2026 in cinemas across seven Polish cities (Warsaw, Wrocław, Gdynia, Poznań, Katowice, Łódź, and Bydgoszcz), and online from May 19 to June 1.

The Visions du Réel Foundation announced April 8 the departure of Artistic Director Emilie Bujès, who will leave the festival at the end of July 2026. “Having served as Co-Director and Head of Programming and Industry for the Festival since 2018, Emilie Bujès has decided to take on a new challenge and step down as Artistic Director of Visions du Réel after nine highly successful editions,” the festival writes. Bujès will take over as director of GIFF (Geneva International Film Festival) on 1 August 2026.

Open to UK-based story-tellers, four shortlisted ideas will be pitched live during Sheffield DocFest in June 2026. The winner will receive £10,000 and expert narrative support from climate spring to produce their chosen idea. “With this year's pitch, we encourage creatives to explore innovative and timely unscripted ideas that entertain broad digital audiences, centre the power of community, and offer visions of a future where system change is possible,” comments David Leach, Head of Unscripted at Climate Spring.

Running May 9 to 14, DocsBarcelona Pro will present 63 projects within its Forum and Training programmes. “With a clear commitment to diversity in perspectives, narratives and formats, the selection brings together documentaries from nearly 40 countries at different stages of development and production, which will receive tailored support and guidance according to their status and needs,” organisers underline.

The leading UK documentary festival and market announced March 31 the return of its Filmmaker  Challenge, which is supported by principal sponsor Prime Video Pathway. Applications are now open and the deadline to apply is Wednesday 22 April. The new expanded format will support twice as many filmmakers than ever before, and the completed short films will screen June 13. Sheffield DocFest returns to the city from 10 - 15 June with initial programming due to be announced in April 2026.

The maverick US filmmaker will return to the festival to present the Spanish premiere of his feature doc debut on May 12 with a Q&A. The 29th edition of the festival also focuses on the ‘contemporary city’ with Docs&City, a mosaic of perspectives on Gaza, Barcelona, Granada, Tokyo and Damascus. DocsBarcelona runs May 7 to 17, opening with A Fox Under a Pink Moon by Iranian Mehrdad Oskouei.