Business Doc Europe

Oscar-winning Juliette Binoche sat down with BDE to discuss her audacious directorial debut In-I In Motion, which records how, in the radical theatrical piece In-I (2007), she set out to dismantle the boundaries between movement and acting, together with acclaimed British dancer-choreographer Akram Khan. At the same time the pair explored the complexities of love and lust, devotion and jealousy, separation and reconciliation.

Tom Adjibi’s slyly subversive debut feature This Is Not A French Film [screening this week in NEXT:WAVE competition at CPH:DOX] exposes the bias and racism that non-white actors and artists still continually face in their careers. The director plays a version of himself - Tom, an actor so exasperated at being typecast that he decides to make a movie about it. “I have convictions, I have anger but sometimes my character is a little bit lost,” he describes to BDE the version of Tom we see in the movie.

As British-Romanian Rachel Taparjan follows Mihaela on her return to Romania in search of her birth mother, she finds herself drawn into the unresolved shadows of her own past. For her feature doc Something Familiar, world-premiering at CPH:DOX, the act of shaping the narrative allowed Taparjan to reclaim agency over events that once felt overwhelming. “It gave me a sense of control, a sense of authorship, and ultimately a sense of empowerment,” she tells BDE. “And it gave me beauty and poetry even in very dark chapters of my life.”

Matter Of Britain is a full-scale Arthurian epic - but one made in a tiny Sussex village. Peter Treherne’s film (which has just screened at CPH:DOX following its world premiere at MOMA in New York) features present-day residents of Mayfield playing characters from Thomas Malory’s 15th century classic Le Morte d’Arthur. “The idea is that if you get everybody to come together in a performative activity, people aren’t being objectified or observed in their intimate everyday,” the director tells BDE. “To some extent it is sort of ridiculous - and people love the idea of getting into chainmail.”

In her debut documentary Greek director Eirini Vourloumis, who describes herself as a night creature, follows three veteran “old school” taxi drivers, Konstantinos (known as Puma), Sunny, and Giorgos, as they drive around the city. “Each character is a reflection of myself,” she underlines to BDE, adding that the film is “my personal ode to the two things I love, which is Athens and taxi drivers!”

In The Great Experiment, Stephen Maing and Eric Daniel Metzgar offer what they call “a kaleidoscopic portrait of life in America,” during one of the more polarised periods in the last 250 years, from 2017 to 2020. Entirely shot in black and white, the film gives snapshots of different communities and generations, everything from ‘Gays for Trump’ activists to Black Lives Matter to the rise of MAGA. Even though politics are never far away, the film places emphasis on the people, the “humanity,” and how Americans find ways to “co-exist,” Maing tells BDE.

Irish filmmaker Gar O’Rourke (Sanatorium) returned to CPH:DOX this year with The Siege of Paradise, a character-driven documentary exploring the human consequences of over-tourism in Italy’s Cinque Terre. “A few years ago an Italian friend told me about this small place of fewer than 4,000 people receiving more than four million tourists every year,” O’Rourke recalled. “I wanted to understand what that actually felt like.”

Moroccan filmmaker Asmae El Moudir presented her new hybrid doc project Don’t Let the Sun Go Up on Me, which concerns teenager Fatimazahra who, before her sad passing, suffered from xeroderma pigmentosum (XP), a rare genetic condition that makes exposure to sunlight potentially fatal. Now her younger sister Meriem carries forward Fatimazahra’s dream of travelling to Norway’s Lofoten Islands, where the polar night allows for months without sunlight. “I’m looking for ways to keep her alive,” the filmmaker explained. “Through her voice, through her own images — creating a dialogue between the living and the absent.”

Estonian filmmaker Maris Salumets presented her investigative documentary War on Women during this year's CPH:DOX Rough Cut presentation, held on 16 March. Salumets offered industry professionals an early look at a project that seeks to map the global networks driving anti-gender politics across Europe. “This is a film about my own journey investigating the anti-gender movement in Europe and its close ties to US and Russian money and influence,” she told the Copenhagen audience.

DocsBarcelona will open its 29th edition on May 7 with the Iranian film A Fox Under a Pink Moon, in which sixteen-year-old artist Soraya Akhlaghi documents her attempts to escape Iran, where she lives with her abusive husband, and reunite with her mother in Austria. The festival, which runs From May 7 to 17, 2026, also gives a glimpse of first selections in its Official and Visions Competition sections.

The awards of the 28th Thessaloniki International Documentary Festival were handed out March 15 2026. The Int’l Comp Golden Alexander was handed to Closure by Michał Marczak, while the Silver Alexander went to Birds of War by Janay Boulos & Abd Alkader Habak. The Newcomers Competition Golden Alexander “Dimitri Eipides” was won by At No Cost by Mary Bouli, while the Newcomers Silver Alexander went to Replica by Chouwa Liang. All awards…

Mr. Nobody Against Putin by David Borenstein and Pavel Talankin won the Oscar® for Best Documentary Feature at the 98th Academy Awards, held March 15 in LA. “In the name of our future, in the name of all of our children, stop all of these wars now,” the film's protagonist and co-director Talankin said in Russian from the stage via a translator. The Oscar® for Best Doc Short went to All the Empty Rooms by Joshua Seftel.