Business Doc Europe

Shot in the Persian Gulf, the feature doc Heat, directed by Jacqueline Zünd, deals with one of the most pressing global challenges of our time. “It's like a magnifying glass amplifying all these differences, especially the economic and social disparities,” Zünd tells Business Doc Europe. “Because there is a certain [very high] temperature, rich people do not leave their houses anymore… Meanwhile, the poor people are dying out there, or maybe having heatstroke, while delivering food at noon when they call for lunch. It's really crazy.”

The logistics sound daunting: 40 cinematographers and more than 300 people filming in 64 locations combined to create the collective portrait of a single July night in Ukraine. In her epic new film, Olga Chernykh draws together imagery of everything from nightclubs to air raids, from soldiers on the frontline to women giving birth, from passengers aboard a train about to head east to wildlife coming out after dark. "It’s about resilience and strength, of course, and about love - love for each other and love for the country,” Chernykh tells BDE.

In her new film, French director Emma Boccanfuso follows the remarkable Mother Courage-like Sueli, a flamboyant local woman living in a Rio favela and fighting to hold her extended family together, while running her own makeshift bar and enjoying plenty of gossip with the neighbours. “I very quickly found myself propelled into the heart of the home and the intimacy of this family,” the director tells BDE. “From there, a deep friendship was born, to the point that I have been coming back several times a year to see them for the past ten years.”

In her short film Une chambre à elles A Room of Their Own), three women, Claude-Emmanuelle, Régina and Nicole, apply make-up before going out. As we watch, all three reflect on intimate aspects of their lives, from suicide to gender transition to the strength that can be derived from ‘pink femininity’. “I don’t wear make-up myself, but I’ve always been drawn to this ritual,” the director tells BDE. “These are often moments when confidences emerge naturally, when intimate stories are more easily shared.”

When Dutch filmmaker Jona Honer first visited China, he soon worked out that the easiest way to connect with the young and extremely affluent sub-strata of Chinese society was through their favourite nightclubs. He was also fascinated by the rituals of capitalism, which resembled more a religion in terms of its structure and the social support it offered. “They [the club goers] create their own symbols, maybe without knowing it consciously,” Honer tells BDE. “Every religion has its own symbols. They create their own value system…it’s more than a night out.”

We don’t know why the prisoners within the high-security Volterra jail are serving time, but under the supervision of Venice Golden Lion-winning theatrical director Armando Punzo, who has entered the prison every day for the past 38 years, they are producing wonderful theatre. In Dentro, French director Elsa Amiel chronicles the process. “I wanted to capture the atmosphere of the prison — a place once known as one of Italy’s worst, transformed through theatre into a place of avant-garde creation,” she tells Business Doc Europe.

DOK.fest Munich has unveiled the programme for its 41st edition. 106 films from 49 countries will be screened, 23 of which will have their world premiere, and a further 59 films will have their international or German premiere. Films will compete for three main prizes, the VIKTORIAs for International and German Competitions, and for Cinema of Urgency. This year, the programme team selected from 1,440 submissions – a new record for the festival. DOK.fest Munich runs this year May 6 to 18.

Six new Swiss doc projects, ripe for selection at festivals during 2026, will be presented April 22 in Nyon to industry professionals from the international sales, distribution and finance sectors, as well as festival programmers from across the globe. Thirteen more will be presented within the Prix RTS and newly established Migros Culture Percentage Story Lab. What’s more, there’s a hatful of Swiss films across the festival’s competition and non-competitive sections. Swiss Films documentary topper Charlotte Ducos puts BDE in the picture.

From April 27 to May 1, 23 participants from 13 countries across the Mediterranean and MENA region will gather in Ajaccio, Corsica for a five-day workshop led by Alexandre Cornu and Diana El Jeiroudi. “At a time when unjust and devastating wars continue to affect parts of the Arab world, we believe it is more essential than ever to support documentary projects and voices from the region, and to foster meaningful collaboration and co-production between Western Asia, Europe and the Mediterranean,” organisers write.

The Docs-in-Progress program partners with institutions from around the world to exhibit carefully selected works at final stages of production and which are looking to hit the circuit within the coming weeks or months. Each of the eight showcases features four projects, presented in the form of a live pitch and a 10-minute excerpt of the rough-cut, designed to catch the attention of decision-makers, festival programmers, and sales agents. Cannes Docs runs 14-19 May 2026.

The 16 films competing for this year’s Doc Alliance Awards were announced April 15. Each of the seven European documentary festivals that make up the Doc Alliance network, together with this year’s guest festival GAIFF, the Golden Apricot Yerevan International Film Festival, has put forward one short and one feature-length documentary from its previous programme. The Doc Alliance Award will be presented on 19 May in Cannes during the Doc Day Lunch at the Marché du Film.

Three feature documentaries and one doc hybrid are selected for the Cannes sidebar section dedicated to independent, ground-breaking cinema. “The films presented are all gestures that bring us together—stories rooted in a poetic reality that is joyful, unexpected, but above all free and unformatted. They thus emerge as powerful acts of resistance—and of hope,” the ACID programmers collectively write.