The first awards of Ji.hlava 2025 were handed out just as festival doors opened, with the Respekt Award for the best audiovisual reportage on a political or social topic – going to to Černá práce (Black Work) from Czech Television’s Reportéři ČT series.
Authors Barbora Loudová and Jevhenija Vachničenko investigated agency employment and labour exploitation in the Czech Republic. During months of undercover work, they infiltrated pseudo-employment agencies that exploit cheap labour – often without contracts, insurance, or decent conditions. The journalists even took illegal jobs themselves to document the system at first-hand.
The Respekt editorial board praised the reportage for its “courage, depth, and social impact.” After its broadcast, several agencies shut down and the topic sparked an expert debate on the need for stronger worker protection. Loudová and Vachničenko accepted the award on stage, presented by journalist Jan H. Vitvar.
The Documentary Book Award, presented for the fifth time, went to Petr Třešňák for his book Důstojnost(Dignity). The jury described it as “an exceptionally powerful and rigorously thought-through work that not only aspires but truly contributes to improving systemic conditions of care for vulnerable people in Czech healthcare and social services.”
Through case studies and real-life stories from the Czech Republic and abroad, Třešňák shows that dignified care is possible when expertise, courage, and empathy come together, the festival writes. The book not only makes an appeal but also outlines concrete steps and systemic solutions inspired by functioning international models.
“Dignityis authentic, unembellished, yet not bitter. It’s personal, deeply lived, and still full of hope. The jury commends the author’s long-term and systematic work, his personal humility, and his ability to turn lived experience into a strong social message. The book reminds us that safeguarding every person’s dignity is a fundamental condition of a democratic society,” stated the jury.
In the Short Joy category, the winning film was wedLOCK tradWIFE by Austrian director Gabriele Neudecker, which ironically comments on current gender stereotypes and the return to “traditional” female roles. The film is composed of social media testimonies, forming a shocking and painful bricolage interwoven with archival footage from the 1950s.
