Nick Cunningham

Four international and one Swiss award were handed out March 10 as doors closed on the 8th Impact Days, the professional arm of FIFDH. The StoryBoard Impact Award, valued at CHF 10,000, was given to Olimbi - Mother Courage by Karlo Mlinar. The Swiss Focus Impact Award, valued at CHF 2,500, was given to To the Moon and Back by Elisa Gómez Alvarez. All awards…

As doors open on CPH:DOX 2026, Artistic Director Niklas Engstrøm opens up to BDE on the offer for 2026, the new human rights strand, and the importance of acknowledging the festival’s establishing ethos. “CPH:DOX has always been known for being brave when it comes to the curatorial approach, being curious and trying to explore the boundaries of documentary, and I think that is still a core value,” he underlines.

Dutch-Japanese filmmaker Kiriko Mechanicus discusses the mutual roots of obsession between her and a shooter who killed 8 Asian women within Atlanta massage parlours. “One reason why I wanted to make this film was, of course, that I wanted to show the world as a form of manifestation that me as a person, but also me as a representative of Asian women, can be more than just this submissive woman that I've been for a very large part of my life,” she says.

Renowned Palestinian filmmaker Rashid Masharawi, born and raised in Gaza’s Al-Shati refugee camp, explored two vital aspects of film and filmmaking in Gaza during his Impact Days keynote on March 9. He articulated the urgent need to bring the works of Palestinian filmmakers to international audiences. At the same time, films from around the world must be delivered to children in Gaza, who have grown up surrounded by blockade, loss, and repeated wars, to offer moments of escape, imagination, and emotional relief.

The Polish filmmaker/producer team of Elwira Niewiera and Maciej Kubicki made a powerful impact pitch March 10 for their feature doc project Women and War, which explores the psychological toll of war through the personal journeys of four women – Julia, Lena, Iryna, and Olena – who have survived the horrors of Russia’s war against Ukraine. “What I have learned from them is that the war doesn't end when the war is over,” she told the professional audience in Geneva. “It stays in their minds, in their bodies, and in their everyday lives.”

Gaza Sunbirds follows Ala’a, a young Gazan cycling champion whose life changes forever after he’s shot by an Israeli sniper. Determined to rebuild, he sets his sights on the Paralympics, inspiring others to join him. Director Flavia Cappellini has followed Ala’a and his team for more than 8 years. “What makes the film important is precisely this long perspective,” Flemish producer Kristian Van der Heyden tells BDE. “We see Gaza before the war, the escalation towards October 7, and the consequences that continue to shape the lives of our protagonists today.”

French producer Tanguy Babin of PaladiOra Films outlines to Business Doc Europe the qualities of Hnin Thet Hmu Khin and Olivier Petrie’s story of Hnin’s secret return to Myanmar from Thailand (after having played a significant role in the 2021 anti-junta protests) where she encounters a new generation who are looking to rebuild the country without taking up arms. “The film aims to move beyond a strictly geopolitical reading of the conflict, and instead reveal human stories that are intimate and universal,” Babin underlines.

In Rachel Lauren Mueller’s new feature doc, when a pagan white supremacist group arrives in a Minnesotan farming town, it sparks an intense struggle over who has the right to belong, offering a disturbing warning about the normalization of extremism. “Our aim with our film’s impact campaign is to repair the ruptures of communal polarization through the simple practice of bringing divided communities together to watch a film and share their perspectives,” producer Ariel Tilson tells Business Doc Europe.

Weaving together animation, observational cinema, and participatory filmmaking, Tetiana Khodakivska’s new feature doc, The Blue Sweater with a Yellow Hole, is a coming-of-age documentary that questions the impact of indoctrination and propaganda on children in the modern world. The subject of the film is three Ukrainian children who both process and draw memories from their six months in a Russian ‘re-education’ camp. Producer Elena Saulich talks to Business Doc Europe.

The UK’s Documentary Film Council (DFC) announced March 9 the appointment of Mandy Chang, as its first Chief Executive Officer. The appointment “marks a major step forward for the member-owned organisation, which was formed to represent the UK documentary sector at a critical moment for the industry,” the organisation writes. Chang recently served as Global Head of Documentaries at Fremantle, and previously as Commissioning Editor of the BBC’s prestigious Storyville strand from 2017 to 2021.