Home News Flee selected as Danish Oscar entry

Flee selected as Danish Oscar entry

Flee by Jonas Poher Rasmussen

Photo: Final Cut for Real

 

The Danish Oscar committee, made up of representatives from the film industry and the Danish Film Institute, elected Monday afternoon Jonas Poher Rasmussen and Final Cut for Real’s Flee as Denmark’s contender in the International Feature Film category for the 2022 Academy Awards. 

 

Flee was selected from a shortlist of three films. The two other titles were Margrete – Queen of the North by Charlotte Sieling and The Shadow in My Eye by Ole Bornedal.

 

Claus Ladegaard, CEO of the Danish Film Institute who chairs the committee, says: “Flee is the haunting and inventive story of a refugee and his journey. About the enormous price that people in his position pay every day, even in a safe haven. Jonas Poher Rasmussen directs with tremendous empathy, and Amin’s story is hard to shake. The film’s finely balanced use of animation, music and live action gives us a real sense of the horror and cynicism of Amin’s journey to Europe – while not ignoring the beauty, humour and hope of his story. This makes ‘Flee’ an unusually nuanced film with social and existential depth.”

 

The reception of Flee has been overwhelming since it premiered at Sundance,” he continues, “and more prominent North American festivals have selected the film. Its US theatrical release is coming shortly via Oscar-winning distributor Neon. This kind of visibility and backing carries significant weight in the Oscar race. The committee is convinced that Fleecan continue its impressive international journey on the back of its powerful theme and original form.”

 

Jonas Poher Rasmussen’s Flee offers an intimate account of how Amin, the director’s close friend, arrived in Denmark as a young refugee from Afghanistan 25 years ago. The film is told mostly through animation, with sections of real life footage woven into the narrative.

 

Flee was among the Official Selection titles at the Cannes Festival’s digital edition in 2020. The film opened at Sundance to warm reviews, winning the World Cinema Grand Jury Prize. Since then, Flee has received several prominent awards, including for best Nordic documentary at Göteborg and three accolades at Annecy, including the Cristal for best feature film. Currently, the film is among the nominees for the Nordic Council Film Prize 2021, announced on 2 November.

 

In addition to Sundance, Flee has screened at a string of leading North American festivals such as Telluride, Toronto and New York. Nominations include the Gotham Awards and the Critics Choice Documentary Awards, two prominent prize ceremonies setting off the awards season.

 

Flee met with great critical praise at its Danish premiere on 17 June. The US release is set for 3 December launched by distributor Neon, the company behind 2020’s Oscar-winner Parasite. Monica Hellström, Signe Byrge Sørensen and Charlotte de la Gournerie have produced for Final Cut for Real with support from the Danish Film Institute.

 

Oscars rules and dates

Each country may submit one film for nomination in the International Feature Film category. Last year, a total of 93 titles were approved for submission. 

 

To be eligible in the International Feature Film category, a film’s release date must be no earlier than 1 January and no later than 31 December 2021. An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue track.

 

The submission deadline is 1 November. The Academy will be announcing all shortlists on 21 December, including the 15 films that have a chance to become one of the five nominees in the International Feature Film category.

 

All Oscar nominations will be announced on 8 February. The 93rd Oscars take place at the Dolby Theatre in Los Angeles on 27 March 2022.

 

Danish films and the Oscars

Four Danish films have won an Oscar in the International Feature Film category: Thomas Vinterberg’s Another Round in 2021, Susanne Bier’s In a Better World in 2011, Bille August’s Pelle the Conqueror in 1989, and Gabriel Axel’s Babette’s Feast in 1988.