Still: Our Century by Artavazd Pelechian
International Documentary Film Festival (IDFA) has announced the first films selected for its 34th edition, the Top 10 program curated by Guest of Honor Hito Steyerl, and a four-title program of films by Artavazd Pelechian, who will also receive a Lifetime Achievement Award.
Both directors will be in attendance at IDFA 2021, which runs November 17 to 28.
Hito Steyerl’s Top 10
The curated Top 10 program, which in fact consists of 14 titles, the multi-hyphenate filmmaker, media artist and writer Hito Steyerl offers a window into her kaleidoscopic world of film and media art. Key to apprehending her own seismic body of work, Steyerl’s selection presents a line-up of dissident filmmakers who, each in their own way, have radically shaped the art of political documentary cinema, notes the festival.
The festival statement reads how selected films include Videograms of a Revolution, the cult masterpiece by Harun Farocki and Andrei Ujica, in a nod to Steyerl’s long-held admiration of Farocki, who she has written about, exhibited with, and studied under at the Academy of Fine Arts Vienna. Unearthing hidden stories of Japanese activism, the rare Yama: Attack to Attack will be screened on 16 mm, charting the consecutive assassination of the film’s directors, Mitsuo Sato and Kyoichi Yamaoka, as they document the conditions of local workers.
Germane to Steyerl’s own artistic methodology are several titles that reimagine notions of truth and fiction, as seen in Stories of Destroyed Cities by the Rojava Film Commune, which sensitively illuminates the Kurdish cause—a returning subject in Steyerl’s writings.
The fluidity of the real is again reimagined in Kenedi Goes Back Home, one of two selected films by Yugoslav Black Wave icon Želimir Žilnik, as well as in Peter Watkins’ acclaimed epic La Commune (Paris, 1871), remastered for cinema release under Watkins’ supervision.
Dissident filmmaking takes the form of avant-garde feminist art with titles such as Barbara Hammer’s Nitrate Kisses and Martha Rosler’s Semiotics of the Kitchen. Still elsewhere in the selection, Steyerl presents a mainstay of documentary journalism with Laura Poitras’ Oscar-winning Edward Snowden film Citizenfour, the statement reads.
As accompaniment to her Top 10, IDFA will present an extensive Filmmaker Talk with Steyerl in Amsterdam’s historic Tuschinski 1 cinema. During the festival, she will also moderate a special panel discussion with several filmmakers from her selection.
Artavazd Pelechian
Nearly thirty years after the release of his last film, IDFA will present the European premiere of Nature by the great Armenian director Artavazd Pelechian. A tour de force, the 64-minute triumph offers a monumental cinematic experience, returning to Pelechian’s characteristic fascination with human fragility in the face of nature’s titanic glory—this time through a swirling composition of found footage natural disasters, write the festival.
Showing in Tuschinski 1, the European premiere will be the first screening of the film that Pelechian himself has attended, with Andrei Ujica, Pelechian’s long-time collaborator and producer of Nature, also in attendance alongside other special guests.
IDFA will also award Pelechian with the Lifetime Achievement Award and screen three treasures from his oeuvre, introducing a new generation to his unparalleled work. One of the auteur’s earliest films, We, rousingly honors the people of Armenia and their tumultuous history, marking the birth of the filmmaker’s signature distance montage technique. In Seasons of the Year, the director orchestrates a magnificent yet bittersweet symphony of human existence centering on an isolated community in the remote Armenian mountaintops. Finally, in Our Century, Pelechian turns to the 20th century space race of the U.S. and U.S.S.R., capturing the terrific nature of humanity crossing a cosmic threshold, the statement concludes.
