Geoffrey Macnab
Cannes Marché: Singing out for Sona
Mumbai-based Deepti Gupta’s Shut Up Sona (sold internationally by Brighton-based Espesso Media) has provoked howls of fury in India, the director tells Business Doc Europe.
Cannes Marché: New projects surface for Submarine
Dynamic Dutch production outfit and its LA offshoot SubLA have revealed details of their latest ventures.
Sector turns to Doc Society for relief
As the documentary community struggles with the financial challenges posed by the COVID-19 lockdown, London and New York based non-profit Doc Society is reporting a huge number of applications to its new Documentary Impact Producer Relief Fund.
Cannes Marché: Home sweet home
Marc Isaacs’ new feature The Filmmakers’ House is labelled as “documentary.” Some doc purists, though, may be startled by the director’s freewheeling approach toward a project which was indeed shot in his own house.
Cannes Marché: Geyrhalter tackles Covid in new doc
Speaking to Business Doc Europe, Nikolaus Geyrhalter, director of Our Daily Bread and Homo Sapiens and one of the heavyweight auteurs of European documentary, has revealed details of his new corona-virus themed feature doc, The Standstill (sold by Autlook).
Launching under Quarantino
Leading French docs sales agent Anaïs Clanet has given details of her new venture, Reservoir Docs, which is being launched during the Cannes Marché.
Marché: Metrafilms in from the cold
Leading Russian outfit Metrafilms is getting back into the documentary groove with an espionage thriller as embroiled and complex as anything found in dramatised spy movies.
Marché: Van Messel yearns for the return of the collective experience
The ‘fest’ has been taken out of the festival and all the hard work isn’t bringing the expected dividends. “Our real merchandise are emotions, and these are best shared,” First Hand Films boss Esther van Messel tells BDE.
Marché: Cinephil partners with Gedeon on Covenant
Tel Aviv-based doc sales outfit Cinephil is partnering with French production giant Gedeon Media Group and ARTE on major new TV project, The Ark Of The Covenant (working title). Cannes label Flee also on the company's Cannes slate.
Cannes Marché: Abdalla on the Autlook for “more explosive” stories
Vienna-based documentary powerhouse Autlook is tweaking its strategy in response to the challenges presented by the Covid pandemic. (Photo by Andre Csillag/REX/Shutterstock)


















