CPH:DOX 2020

iHuman, which was screened and discussed by Edward Snowden at CPH:DOX, offers a sobering assessment of AI and its seemingly inevitable trajectory towards a state of self-sufficiency.

Former CPH:DOX winner Mohammed Ali Naqvi returns to Copenhagen (at least in spirit) with The Accused, a film about the febrile debate raging in Pakistan over its blasphemy laws.

Self Portrait tells the immensely moving story of anorexia sufferer Lene Marie Fossen, whose photographic portraits, of herself and others, are acclaimed as latter day masterpieces.

CPH:FORUM opened 24 March with a debate during which organisers and stakeholders expressed mutual gratitude and offered both support and opinions on the way forward in the wake of coronavirus.

In a new doc directed by Elwira Niewiera and Piotr Rosolowski, a young stage director turns to the Bard to help identify Ukraine’s post-Maidan generation.

Belgian producer Emmy Oost discusses her Forum project about violence as a physical reaction to an inability to express our dissatisfaction.

Going back to basics in order to understand economic mechanisms is a laudable intention, and one that director Carmen Losmann tackles with vigour, humour...

In his Bitter Love Jurek Sladkowski tells us that while the rest of the world takes to the road to deal their problems, Russians take to the river. In this instance on a Volga cruise ship, full of lonely hearts.

Lotta Petronella’s Själö – Island of Souls, world-premiering in NORDIC:DOX seeks to re-interpret the history of a former leper asylum off the Finnish coast, now a centre for scientific research.

In her debut feature documentary Ecstasy Moara Passoni tells the story of her teenage anorexia, her joyous immersion into delirium and the supreme sense of power and control it gave her.