Interviews

In Eva Marie Rødbro’s feature debut I Love You I Miss You I Hope I See You Before I Die, which screened in Danish:Dox, Betty is a mother of two living on the breadline in Colorado Springs.

iHuman, which was screened and discussed by Edward Snowden at CPH:DOX, offers a sobering assessment of AI and its seemingly inevitable trajectory towards a state of self-sufficiency.

Former CPH:DOX winner Mohammed Ali Naqvi returns to Copenhagen (at least in spirit) with The Accused, a film about the febrile debate raging in Pakistan over its blasphemy laws.

Self Portrait tells the immensely moving story of anorexia sufferer Lene Marie Fossen, whose photographic portraits, of herself and others, are acclaimed as latter day masterpieces.

Going back to basics in order to understand economic mechanisms is a laudable intention, and one that director Carmen Losmann tackles with vigour, humour...

In his Bitter Love Jurek Sladkowski tells us that while the rest of the world takes to the road to deal their problems, Russians take to the river. In this instance on a Volga cruise ship, full of lonely hearts.

Lotta Petronella’s Själö – Island of Souls, world-premiering in NORDIC:DOX seeks to re-interpret the history of a former leper asylum off the Finnish coast, now a centre for scientific research.

In her debut feature documentary Ecstasy Moara Passoni tells the story of her teenage anorexia, her joyous immersion into delirium and the supreme sense of power and control it gave her.

David Teboul’s Mon Amour is a paean to both love and grief, one which he journeys to Siberia to try and make sense of the death of his lover Frédéric Luzy.

Cemetery, available for viewing on the CPH:DOX public platform, comprises both a lyrical and trippy sojourn to the mythical last resting place of the magnificent jungle beast.