As seen through the “lens” of professional bodybuilder Pauliina Talus and filmmaker Pauliina Punkki, we witness how women, both historically and in modern times, are often judged primarily by their physical appearance and traditional roles, regardless of their place in society, reads part of the synopsis of Women Named Pauliina by Finnish filmmaker Pauliina Punkki. She will present her project September 26 at Finnish Film Affair.
Punkki elaborates to Business Doc Europe: “This film challenges traditional narratives about women, pushing the boundaries of what we consider ‘feminine’ and defying the common portrayal of women in film. The story of a female bodybuilder, especially as the central figure, is unusual, which makes it all the more necessary. It confronts themes such as body-shaming, ageism, and the societal invisibility women face after they pass the milestone of 50, particularly when they are no longer valued for their fertility or appearance.”
“In a world increasingly discussing gender roles, post-#MeToo realities, and the empowerment of women, this film is timely and crucial. It serves as a bold statement, providing an honest and raw look at the lived experiences of women from the 1970s to today,” she adds.
The visual style of Women named Pauliina blends a cinéma vérité approach with carefully composed shots, creating “a dynamic interplay between raw authenticity and directed moments,” Punkki underlines. Much of the footage will feel intimate and unscripted, “capturing our protagonists in their most vulnerable and unfiltered states, offering the audience a sense of immediacy and closeness.” This is offset against scenes that give the film a sense of direction, drawing the viewer deeper into the emotional landscapes of the characters.
The documentary interweaves archival footage, interviews, and new material shot over the span of 15 years, which are bound together by the director’s reflective narration, “which acts as a guiding force throughout, offering insight while also allowing the imagery to speak for itself.” The approach evokes “a meditative, almost existential tone, drawing the viewer into the complexity of human experience,” says Punkki.
“As a director, my key strengths lie in my ability to balance artistic vision with ethical responsibility. I approach filmmaking with a deep commitment to authenticity, respect, and transparency,” she further underlines. “My background in film editing gives me a unique perspective on storytelling, allowing me to craft compelling and layered narratives that reflect the complexity of real life. I don’t see documentary filmmaking as capturing a definitive truth, but rather as offering a reflection of reality through a personal, creative lens.”
“One of my strengths is the intimate and personal connection I build with my subjects. In my latest project, I demonstrate this through the deep relationship I have cultivated with Pauliina Talus,” Punkki continues. “My approach to this film is not only to tell her story but also to juxtapose it with my own, highlighting the broader social and cultural themes that emerge from our lives.”
“I am also passionate about documentary ethics. Throughout my career, I have ensured that my subjects are portrayed truthfully and with dignity, even when their stories include difficult or unflattering aspects. This transparency has deepened the trust between us, resulting in a more authentic and impactful narrative.”
“Additionally, my feminist worldview shapes my work. I strive to tell women’s stories, both in front of and behind the camera, and use my films to address larger societal issues,” the director stresses.
Producers on the project are Essi Haukkamaa of Aallotar Productions (Finland) and Veronika Janatkovà from Prague-based Pandistan, who will be looking for “allies and partners” in the form of funders, co-producers, distribution support and sales agents. The rough cut of the film will be edited with the support of Dok.incubator training and tutors such as Emmy-winning editor Michael Nollet from the UK and producer Erik Winker from CorsoFilms Germany. Punkki confirms that final shooting will take place early 2025. She plans to release the film in the beginning of 2026.
“Ultimately, my goal as a director is to use storytelling as a tool for social change, creating films that resonate on a personal level while provoking thought and fostering dialogue on a broader cultural and political scale,” she signs off to Business Doc Europe.
