Nicole Santé
Hot Docs review: The End of Innocence (Petites) by Pauline Beugnies
How do you measure the impact of a horrific crime on a nation? And, more specifically, how does a crime involving children affect their peers? The End of Innocence is a haunting and gripping reconstruction of the extensively covered case of Marc Dutroux, who in the 1990s triggered a collective Belgian trauma, but who also united a divided nation.
Visions du Réel review: Inner Lines by Pierre-Yves Vandeweerd
More than anything Inner Lines, selected for International Competition, sends out a message of displacement and of disorientation - both geographically and mentally. It is an important and artful film, but dealing with the Yazidi genocide it is far from an easy watch.
Visions du Réel review: Dogwatch by Gregoris Rentis
As unlikely it sounds, Dogwatch is a delight to watch, an aesthetically pleasing and almost poetic observation of three men working as armed guards on ships traversing pirate-infested waters.
Visions du Réel review: Chaylla by Clara Teper & Paul Pirritano
Chaylla is a powerful portrait of a woman fighting her addiction to an abusive relationship as well as a substantiated plea for a more empathic judicial system. A rewarding, inspiring and sometimes uncomfortable journey, and one totally worth taking.
CPH:DOX review: A Taste of Whale by Vincent Kelner
A Taste of Whale is definitely not for the faint-hearted with copious amounts of bloodshed and much animal cruelty on display. At the same time it paints a very nuanced picture of what is perceived everywhere as a barbaric tradition: the Grind – the killing of the pilot whales by the Faroese people.
CPH:DOX review: Daughters by Jenifer Malmqvist
Daughters is both a heart-wrenching and cathartic documentary about three sisters who have lost their mother to suicide. Filming the girls over a long period of time, connecting the past to the present through memories, it shows the impact of grief on young children and the importance of love, connection and communication.
CPH:DOX review: Girl Gang by Susanne Regina Meures
Modern day fairy tales don’t include princes and white horses anymore, unless as a prop perhaps in a carefully composed video. Who needs Prince Charming when you can be a successful influencer and live a life filled with online love? Girl Gang, selected for DOX:Award Competition, tells the captivating story of a girl’s dream come true, but whether it’s a happy ending is a matter of opinion.
CPH:DOX review: Moosa Lane by Anita Mathal Hopland
If you can overcome the at-times unnecessarily dramatic voice-over, Moosa Lane is a beautiful documentary about bridging the gap between two cultures - the one the director was born into and the one she was formed out of.
CPH:DOX review: Rules of War by Guido Hendrikx
Seeing a white man in South Sudan explaining to soldiers and their superiors how to fight a war in a ‘humane’ way screams of neo-colonialism. Which makes Rules of War, selected for F:act Award Competition, an uncomfortable yet fascinating and provoking watch, which leaves you with mixed emotions and a lot of questions.
Berlinale review: Rewind and Play by Alain Gomis
Alain Gomis’ documentary on Thelonious Monk, which world-premiered in Berlinale Forum, is like a diamond in the rough, unpolished but of incredible valuable, showing the legendary jazz musician in his truest form. It depicts a man who doesn’t care about presence, fame and glory, interpretations of his music, or others' opinions. He just cares about music.

















