News

Film Harbour has picked up Kristof Bilsen’s new feature doc The Apologist which has its world premiere in International Competition at Sheffield DocFest June 11. The film is produced by Belgian-based Limerick Films, and co-produced with Tangerine Tree (NL), Warboys Films (FR) and Wrong Men (BE). “It’s wonderful to have a sales agent of the calibre of Film Harbour work with us and it feels like a testament to the six years which this multi-layered project to unpick the nuances and challenges of apologising which is so important today,” says director Bilsen.

Netflix announced June 10 the five filmmaking teams, selected from thousands of applications, that will receive funding and professional support during the fourth year of the Netflix Documentary Talent Fund. The filmmakers were selected by a jury of industry experts (pictured above) after pitching their idea for a short documentary films inspired by the prompt, “On the theme of change.”

Chilean Oscar®-nominated director Maite Alberdi will give a June 12 Art of Storytelling masterclass, as well as present her latest documentary A Child of My Own at the 33rd Sheffield DocFest. Chile will furthermore be represented in MeetMarket with three projects: The Weight of Snow (rough cut), directed by Matías Bolla; Inside the Biggest Case on Earth, directed by Renan Flumian, and Isabel Allende: The Documentary, directed by River Finlay. Chiledoc will also host a co-production gathering June 11, with aim of fostering new international collaborations within the doc sector.

DOK Leipzig is seeking XR projects from immersive creators from around the world, and at all stages of development, for its DOK Exchange XR industry program, a 2-day conference and showcase offering an in-depth exploration of XR creation. The application deadline is 1 July, after which applications will be evaluated by an international jury. The 69th edition of DOK Leipzig runs 26 October to 1 November 2026.

On June 5, the Industry awards of Krakow Film Festival were handed out. A total of 23 awards and honourable mentions were presented: seventeen for documentary projects and four for animated projects. The documentary prizes were awarded to projects in the DOCS TO START and DOCS TO GO section. Two honourable mentions went to participants in the Animated in Poland Talent Market.

The Golden Horn for Best Film went to Tristan Forever (Switzerland), while the Silver Horn for the film with high artistic value was won by Silent Flood (Ukraine, Germany). The Silver Horn for the film on social issues went to If Pigeons Turned to Gold (Czech Republic, Slovakia). The FIPRESCI Prize went to The Tale of Sylian. The Golden Hobby Horse (Polish Competition) was won by Tickling the Devil, which also won the Audience Award, together with Where Music Grows by Katrine Philp. All winners…

After pitching his feature project Gods of Memory at Krakow Industry, Polish director/producer Kamil Król sat down with Business Doc Europe to discuss his film a little more. In the feature documentary, the ageing pioneers of Poland’s computing revolution set out to follow the trail of their inventions which performed complex calculations that were later used by NASA in space research. “The particular value of the project lies in the juxtaposition of two worlds: the durable, precise memory of technology and the fragile, fallible memory of humans,” says Król.

This year, Baltic Sea Docs celebrates its 30th edition, marking three decades of supporting documentary filmmakers from the Baltic Sea region, Eastern Europe, the Caucasus and beyond. The 30th edition of the forum will take place from 6–11 September 2026. The project selection for the upcoming edition has concluded, with a total of 26 documentary projects selected for presentation.

David Bim, winner of the first Marcel Łoziński Documentary Award for his debut feature To the West, in Zapata, discussed the film with Business Doc Europe before the June 3 ceremony. “I had never made a film before, and from that perspective, every obstacle imaginable existed,” he said. “But there is something I consider fundamental for me, not only as a filmmaker but also as a person: that my life and my work remain coherent with one another.”

"The funniest jokes are those told with a serious face," producer Ivanna Khitsinska tells BDE of Ivan Sautkin’s deeply ironic, anthropological investigation into the sense of kinship felt by some Ukrainians with Taras Shevchenko, esteemed poet and Father of the Nation. “Today, international audiences often encounter Ukraine almost exclusively through news about war, destruction, and geopolitics. DNA of the Nation offers a completely different way of seeing the country — through humour, intimacy, absurdity, and deeply human everyday situations.”