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Nick Cunningham

Nick Cunningham
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CPH:DOX. Hana Korea wins Eurimages Co-Production Development Award 2020

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Valued at €15,000, the prize is awarded by CPH:FORUM and Eurimages for the best pitch at CPH:FORUM 2020, which this year was conducted in virtual space.

Thumbs up for virtual CPH:DOX Industry programme

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Four days is, CPH:DOX Head of Industry Katrine Kiilgaard is so far delighted following the event’s forced conversion to digital this year.

CPH:DOX. What Ed said

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Edward Snowden skyped into Denmark March 23 to comment on a range of matters, from coronavirus to Tonje Hessen Schei’s iHuman to the dangers of granting news publisher status to the likes of Facebook.

CPH:DOX. iHuman – the shape of things to come?

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iHuman, which was screened and discussed by Edward Snowden at CPH:DOX, offers a sobering assessment of AI and its seemingly inevitable trajectory towards a state of self-sufficiency.

IDF puts out call for 2020 Ex Oriente training

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Open to creative feature-length documentary projects and docuseries in development and early production, the deadline is April 30

CPH:DOX. Standing Accused

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Former CPH:DOX winner Mohammed Ali Naqvi returns to Copenhagen (at least in spirit) with The Accused, a film about the febrile debate raging in Pakistan over its blasphemy laws.

CPH:DOX. A fractured genius

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Self Portrait tells the immensely moving story of anorexia sufferer Lene Marie Fossen, whose photographic portraits, of herself and others, are acclaimed as latter day masterpieces.

Projects awarded at first Zagrebdox Pro online edition

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Film teams from Hungary, Slovenia, Georgia and Romania successful at leading Croatian doc event.

CPH:FORUM kicks off with corona debate as CE pledges industry support

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CPH:FORUM opened 24 March with a debate during which organisers and stakeholders expressed mutual gratitude and offered both support and opinions on the way forward in the wake of coronavirus.

CPH:FORUM project. The Hamlet Syndrome

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In a new doc directed by Elwira Niewiera and Piotr Rosolowski, a young stage director turns to the Bard to help identify Ukraine’s post-Maidan generation.