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Nick Cunningham

Nick Cunningham
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CPH:FORUM reveals selection for 2022 edition

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Women will take centre stage in the 2022 CPH:FORUM line-up (March 28-31), both as characters and storytellers. The event will feature new projects by Jialing Zhang, Ilinca Calugareanu, Tova Mozard, Elizabeth Lo and Lana Wilson among others. Out of the 72 filmmakers and producers from 33 countries, most plan to attend CPH:FORUM 2022 physically, organisers confirm.

BDE interview: Clare Stewart, Interim CEO of Sheffield Doc Fest

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The former BFI London and Sydney FF director talks to BDE about her new role at Sheffield Doc Fest which sees a number of other new appointments in 2022, including Asif Kapadia as Guest Curator. “Fundamentally the real challenge (and it's quite different from approaching a festival pre-pandemic) is thinking about what the shape of the festival needs to be for the future,” says Stewart.

Oscar Documentary nominations 2022

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The five Documentary Feature nominations are Ascension, Attica, Flee, Summer of Soul and Writing With Fire. Flee also nominated in International Feature and Animation category. Short Documentary nominations are Audible, Lead Me Home, The Queen of Basketball, Three Songs for Benazir and When We Were Bullies. The 94th Oscars ceremony will take place March 27 and broadcast in more than 200 territories worldwide.

24th Thessaloniki Doc Fest documents ‘changing times’ in its 3 comp...

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With a record number of world, international and European premieres, the International, Newcomers and >>Film Forward Competition sections showcase “a series of fascinating movies that cast a critical and acute glance at the most crucial and heated issues of our times.” International Comp Golden Alexander prize guarantees a place on the pre-selection shortlist for the Academy Award for Best Documentary.

Göteborg Best Nordic Doc goes to A House Made of Splinters

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This year’s Dragon Award Best Nordic Documentary has been awarded to Simon Lereng Wilmont for his Sundance winner A House Made of Splinters. “The jury has been challenged by a wonderful selection of documentaries that have surprised us, made us cry and provoked us with a wide range of stories and ways of storytelling that truly has made us proud of the filmmakers of the Nordic region,” says the citation.

DocPoint awards Best National and International docs

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During this weekend’s closing ceremony of DocPoint – Helsinki Documentary Film Festival, Ruthless Times – Songs of Care won the National Competition with Golden Land receiving a Special Mention. Ruslan Fedotov’s Where Are We Headed won the International Competition, with Jessica Beshir’s Faya Dayi receiving a Special Mention.

Göteborg interview: Love and Divorce by Maud Nycander

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It sounds like a Bergman title, and in fellow Swede Maud Nycander’s tearjerker of a doc, we are delivered exactly what that title promises. Love, then divorce. But as the director explains to Business Doc Europe, love doesn’t just disappear after separation…

Clermont Ferrand interview: Sao Paolo, Open Wound by Elizabeth Rocha Salgado

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It may be visually dynamic, artistically audacious and propelled by a blow your wig off soundtrack, but Sao Paolo: Open Wound is first and foremost a film of protest, and a very angry one at that, against Brazilian president Bolsonaro and his sanctioning of both racism and grotesque levels of intolerance towards Brazil’s LGBTQ+ community.

2022 Bafta documentary nominations unveiled

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Five nominations within the Documentary category (Becoming Cousteau, Cow, Flee, The Rescue and Summer of Soul). Posy Dixon’s Keyboard Fantasies gets nomination in Outstanding British Debut category. Flee additionally nominated in Best Animation while Summer of Soul receives addition nomination in Best Editing category.

Göteborg interview: Jesper Dalgaard on Kandis For Life

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The popular Danish schlager singer Johnny Hansen, of the band Kandis, inspires derision and devotion in equal measure. He is deemed crass among sophisticated city folk while considered a Messiah by many in Denmark’s provinces. Jesper Dalgaard’s poignant doc favours the latter constituency, and in the process reveals their rich and at times heartbreaking sense of humanity. The director explains his film to BDE.