DOK Leipzig 25

For Intersection, Karoline Rößler designed a computer game that reveals the levels of discrimination that certain players face. It’s a game designed to be unfair. In the documentary, six protagonists who’ve faced discrimination because of their sexuality, ethnicity or disability, are interviewed individually and take part in a round-table discussion. “I just researched a lot of people who felt were like-minded about the topics I want to stand for, and that I wanted this film to speak about,” the director tells BDE.

Ron Rothschild’s A Jewish Problem probes into very uncomfortable areas both in his family’s history, and that of the state of Israel. Its central figure is his grandmother, Ruth, whom he interviewed at length before she died. “She was a complex figure. She was involved in actions that are morally dubious and she is testifying about this,” Rothschild tells BDE. “I myself had the same kind of history. I am not in the position to judge her.”

The two festivals may run concurrently, but that is no hindrance to Polish docmakers who are out in force this year at both Ji.hlava IDFF and DOK Leipzig. Seven Polish productions have been selected for the Czech docfest, while eight projects are pitched in Leipzig, in addition to a basketful of selections in the festival program. (Still: Trains by Maciej J. Drygas)

In Trumpian America, there are still small corners where an old-fashioned sense of community still prevails. One such place is Lumpkin, in Stewart County, Georgia, where there is a hardware store run by the very affable Kellie. Her shop is a bastion of good-natured tolerance. As for their film’s selection for Leipzig, the filmmakers speculate to BDE that one of the reasons may be that “in times of ultra-crazy political divisions,” it shows people simply “getting along.”

Fossil Matter follows twin scientific endeavours undertaken within a natural history museum in southern Patagonia; firstly, to excavate an ichthyosaur, a marine reptile from the Cretaceous period, and secondly to retrieve the carcass of a whale stranded on the shores of Tierra del Fuego. It’s “a project rooted in the far south that involves scientists, artists, historians, and filmmakers who are convinced that research - across all its disciplinary expressions - can be a step toward rewriting the story of southern Patagonia and envisioning possible futures for the planet,” Panizza tells BDE.

Chilean artist/filmmaker Meliza Luna Venegas’ Green Desert (screening in the International Competition at DOK Leipzig) is both a climate change movie and an intensely personal and poetic journey into the director’s own past, and that of her family. “For me, the film is a journey through time,” the director tells BDE. “A lot of the archive is used to help remember the culture of the people who lived on this land and of the forests that don’t exist anymore.” Venegas is joined in interview by producer Isabel Orellana Guarello.

Located in the east-German city of Halle, Kindesmutter tells the story of Anne who became a mother at the age of 17. Her daughter Leonie (now 14) runs the risks of taking the same path of drug addiction. To break the cycle, Anne determines to change her life, but can she become the role model her daughter needs before it’s too late? “While the film is rooted in the social realities of Eastern Germany, Anne’s struggle to break cycles of poverty, addiction, and stigma speaks to universal experiences of motherhood, resilience, and hope,” producer Friedemann Hottenbacher tells BDE.

Kim Hess’s There You Go follows new ballet director Demis Volpi during his first season at the Hamburg State Opera, after the departure of legend John Neumeier who, over the previous 50 years, had turned the Hamburg Ballet into an internationally renowned company. “What began as a portrait of a promising new beginning has, in a few months, become a chronicle of a historic cultural conflict,” producer Lotta Schmelzer tells BDE.

The feature doc project Finding Connection investigates the extent to which AI can provide help and comfort to folk who cannot receive these via human contact. “As AI increasingly mimics empathy, people turn to it not just for information, but for companionship and emotional support,” producer Martin Schwimmer tells BDE. “The film probes urgent questions about loneliness, authenticity, and what it means to form connections in a world where the line between human and machine is fading.”

Melt is a movie that intends to wrap its audience in a giant white shawl; to explore snow in all its manifestations and guises - and, yes, we do also see penguins traipsing across icy landscapes. But it also offers a grim reflection on how snow is an element in retreat. “If this film had had the title ‘Climate Change,’ nobody would have wanted to see it,” he reflects. “I’m not expecting a film like this to change the world, of course not, but consciousness is the beginning for any change…you can raise awareness!”