DOK Leipzig 25

Aleksandra (Ola) Staszel is set to take over from Christoph Terhechte who will leave the festival on January 31 2026. The pair will work together through January 2026 in order to ensure a smooth transition. “In Ola Staszel, the city of Leipzig will gain a general manager for DOK who brings with her a broad artistic vision as well as considerable experience in the documentary film industry and a thoughtful approach to it,” says Dr Skadi Jennicke, Leipzig’s Mayor for Arts and Culture, and Chair of the festival’s supervisory board.

Industry chief Nadja Tennstedt fills in BDE on what professionals can expect over the coming week, during the 68th edition of DOK Leipzig. This year, a record number of 391 projects were submitted for the DOK Co-Pro Market, of which 35 were chosen, and funders, broadcasters and sales agents were alerted in advance to the projects and filmmakers they may wish to focus on, and vice versa. “That’s how we schedule over 900 meetings that take place over the course of two days,” Tennstedt affirms to BDE.

White Smoke over Schwarze Pumpe, selected for German Competition at DOK Leipzig, is a film of two halves, looking at working class life in an East German industrial town. The first part was shot by Peter Badel and Dieter Chill just after reunification, the second half between 2019 and 2025 by Badel and Martin Gressmann, the latter of whom answers questions posed by Business Doc Europe.

Ron Rothschild’s A Jewish Problem probes into very uncomfortable areas both in his family’s history, and that of the state of Israel. Its central figure is his grandmother, Ruth, whom he interviewed at length before she died. “She was a complex figure. She was involved in actions that are morally dubious and she is testifying about this,” Rothschild tells BDE. “I myself had the same kind of history. I am not in the position to judge her.”

DOK Leipzig has unveiled the full DOK Industry Programme for the 68th festival edition (27 October - 2 November). The DOK Industry Programme “presents a range of formats and events that address timely industry topics, encourage creative exchange, and give filmmakers a platform to showcase their work and connect with peers and potential collaborators,” write organisers.

Melt is a movie that intends to wrap its audience in a giant white shawl; to explore snow in all its manifestations and guises - and, yes, we do also see penguins traipsing across icy landscapes. But it also offers a grim reflection on how snow is an element in retreat. “If this film had had the title ‘Climate Change,’ nobody would have wanted to see it,” he reflects. “I’m not expecting a film like this to change the world, of course not, but consciousness is the beginning for any change…you can raise awareness!”

The outgoing Artistic Director of the world’s oldest docfest is in feisty mood, specifically on the defence of culture, as evidenced by his choice of Claire Simon’s Writing Life: Annie Ernaux Through the Eyes of High School Students as opening film. “[It] shows in exemplary fashion how important culture is in our lives, and how it shapes us as human beings…In these times, when culture institutions are being asked to spend less, and effectively reach fewer people, it is important to insist the work that we are doing is fundamental,” he tells BDE. The 68th edition of DOK Leipzig runs 27 Oct to 2 Nov. 

Located in the east-German city of Halle, Kindesmutter tells the story of Anne who became a mother at the age of 17. Her daughter Leonie (now 14) runs the risks of taking the same path of drug addiction. To break the cycle, Anne determines to change her life, but can she become the role model her daughter needs before it’s too late? “While the film is rooted in the social realities of Eastern Germany, Anne’s struggle to break cycles of poverty, addiction, and stigma speaks to universal experiences of motherhood, resilience, and hope,” producer Friedemann Hottenbacher tells BDE.

In Active Vocabulary, Russian teacher Maria is denounced after she criticizes, in class, the Russian War in Ukraine. After fleeing the country for Germany, she ingeniously sets out to re-enact the incident with pupils in her new Berlin class. “This village where Maria comes from is so remote from the front lines, so far away, and yet there is apparently this very strong ideological presence of the state that made them [her former pupils] behave this way, or is setting the rules.”

For Intersection, Karoline Rößler designed a computer game that reveals the levels of discrimination that certain players face. It’s a game designed to be unfair. In the documentary, six protagonists who’ve faced discrimination because of their sexuality, ethnicity or disability, are interviewed individually and take part in a round-table discussion. “I just researched a lot of people who felt were like-minded about the topics I want to stand for, and that I wanted this film to speak about,” the director tells BDE.