Doclisboa : Paulo Abreu on what we never get to see
In 'O que não se vê' ('What you don’t see') Portuguese director Paulo Abreu returns to a project he put to one side after the death of his friend and collaborator, turning it into something altogether different during lockdown.
Doclisboa: ‘Our Land Our Altar’ by André Guiomar
André Guiomar’s feature doc charts the lives of residents within Porto’s doomed Aleixo social housing project, as they prepare for its demolition and their own relocation. The film world-premiered at Sheffield Doc/Fest 2020.
One film. Another reality
Last week Alina Gorlova’s This Rain Will Never Stop won the IDFA First Appearance award, as well as the main prize at Festival Dei Popoli. The winning filmmaker talks aliens, life cycles and the power of film to unite, to Business Doc Europe.
Julien Temple on Shane MacGowan: Laureate for the diaspora
The Irish Irish may have come to love The Pogues' Shane MacGowan, but the London Irish were his first parishioners, the sons and daughters of the great diaspora of the 1950 and 60s. Crock of Gold: A Few Rounds With Shane MacGowan opens Dec 4 in the UK.
IDFA Best of Fests: Money talks (but not very sensibly)
Going back to basics in order to understand economic mechanisms is a laudable intention, and one that director Carmen Losmann tackles with vigour, humour and a genuine sense of curiosity in her feature-length doc.
IDFA 2020: Hanging on the telephone
Vienna-based Moldovan director Pavel Cuzuioc talks to Business Doc Europe about his second feature doc 'Please Hold The Line', which screens in Best of Fests.
IDFA: Rockstars, elephants, bipolarism and a hero’s quest
Prolific Icelandic filmmakers Anní Olafsdottir (IDFAcademy 2020) and Andri Snær Magnason brief BDE on their current, highly pertinent, creative docs whose content and production have been either informed or affected by lockdown.
IDFA 2020: Doc maestro Deckert
Leading doc producer Heino Deckert (centre) discusses Mansky and Kossakovsky with Business Doc Europe, how to balance sales and production activity (not easy in a lockdown), and the current US fascination with European documentaries.
IDFA 2020: The body politic
In Let My Body Speak Madonna Adib reflects on growing up in Damascus in a repressive and deeply patriarchal society in which the very idea of queerness seemed hardly to exist.
IDFA Docs for Sale: Buffalo soldier
Water buffaloes in the Carpathians and a hero who wants to settle down - but on his own terms. Ukrainian producer Aliona Kachkan discusses her Docs For Sale selection As Far As Possible, about to complete post-production and ripe for a festival debut in 2021.





















