Interviews

There is an intriguing absence at the heart of Rosa Friedrich’s hybrid documentary My Friend the Porn Star (screening in Proxima Competition at the Karlovy Vary Film Festival and sold by New Docs). The director’s friend, the would-be porn star Timo, decided late on during the project that he didn’t want to appear in it any more. Undaunted, Friedrich took the bold decision to keep his body but to use AI to replace his face with that of another man. The director explains more to BDE.

One of the cornerstones of Japanese broadcaster NHK’s offer at Sunny Side 2026 will be its new documentary about the completion of the Tower of Jesus on Antoni Gaudi's spectacular Sagrada Familia cathedral in Barcelona. The new film, exec-produced by NHK’s Masumi Hoshino, will premiere in Japan on June 28 before its international roll-out. “The fact that we were granted exclusive access to film the Sagrada Família, and to document its construction continuously over such a long period of time, represents a major strength for NHK,” Hoshino tells Business Doc Europe.

Flemish production house Harald House arrives in La Rochelle with a diverse slate of documentary projects, ranging from a journey into the mind of the late, great David Lynch, to a feature doc about a team of para-cyclists who chase their dream of competing on the world stage, even as bombs descend on their home city of Gaza. “Creatively, we are drawn to films that can have an impact, whether that impact is cultural, artistic or social,” company CEO Kristian Van der Heyden tells Business Doc Europe.

For a while at the end of 2025, the future of Sunny Side of the Doc seemed very much in doubt, but after agreeing a strategic partnership with Documentary Campus, the market returns June 22-24 to La Rochelle for its 37th edition. As ever, the core remit is to connect producers with key decision-makers in order to accelerate co-pro and business opportunities but, as Doc Campus MD Donata von Perfall tells BDE, gone are the pitch events, replaced in 2026 by a “more collaborative, discussion-driven” Meet & Match model. “The goal was efficient, meaningful exchange rather than performance,” she says.

Director River Finlay talks to BDE about her MeetMarket project that follows Chilean Isabel Allende, one of the world’s most widely read authors, as she “looks beyond the stories she tells the world and confronts the ones she tells herself,” and reckoning with an unresolved past, the passage of time, and the renewed rise of authoritarianism. “Her trailblazing as an author for other women writers really is unparalleled, but mostly she really provides this incredible sense of connection and bravery,” says Finlay of her revered subject.

Norwegian filmmaker Even Sigstad tells the story of how intrepid Norwegian climber Kristin Harila broke mountaineering records in 2023 when she and her Nepalese climbing partner, Tenjen Lama Sherpa, scaled 14 of the world’s highest peaks in the space of only 92 days. The trip, though, developed a very dark side when they were accused of leaving an injured Pakistani porter to die on K2. “We couldn’t foresee how the whole story would evolve and the controversy around it,” Sigstad reflects on the mountaineering story that turned into something very different and far more complex.

Try! follows four players from four Irish teams to the Mixed Ability Rugby World Cup in Spain, where 32 teams from 16 countries go head to head in fifteen-a-side, full-contact rugby played by people with and without physical and learning disabilities. ““There are so many stories. The biggest challenge for us was trying to find out which of these characters we should focus on because everybody involved in that community, just to get to the pitch, they have to overcome so many obstacles,” director Oisín Mistéil tells BDE.

As we see in the heart-wrenching new documentary, Syrian activist and co-director Wafa Mustafa continues to search for her father Ali, who disappeared under the murderous regime of Bashar al-Assad. “Of course, the fall of the regime is a new beginning for humanity, not just for Syria, but the fight continues,” Mustafa tells BDE. “The only thing that will give me hope is fighting every day for other young women not to lose their fathers because they dared to speak politics, or dreamed of a better reality.”

Cara Holmes’ Lesbian Lines not only tells the story of the helplines that were established in Ireland in the late 1970s, and which continue to this day, it also tells a history of gay and political activism within a deeply conservative country over which the Catholic church held (and continues to hold) considerable sway. “They would hate to hear me say this, but these women are absolute heroes of mine in terms of what they've done for me and for future generations coming up,” Holmes tells BDE, both of the helpline staff and the activists who have brought about radical change over past decades.

In her short film selected for Sheffield 2026, Netherlands-based Uyghur filmmaker Darya Andijan invokes the ancient myth of Gülem, a forgotten goddess of carpet weaving. The film is highly poetic and personal as it weaves female narratives across borders, all the time set against a background of oppression, and China’s erasure both of the Uyghur language and its sense of identity. “Globalisation is failing us, and people need a different hold on where their home is and what their identity is,” says Andijan.