Davide Abbatescianni

A new documentary exploring the life and work of largely overlooked African-American photographer Alvin Baltrop (1948-2004) was pitched to industry professionals at CPH:DOX Forum. The film, titled Letter to Alvin, is directed by Hilton Als and Göran Hugo Olsson, and produced by Tobias Janson and Melissa Lindgren, with Sweden and the United States attached as producing countries. BDE reports.

Irish filmmaker Roisin Agnew presented her hybrid documentary Blackest Ever Black at CPH:DOX Forum 2026, a project examining the political, environmental and economic implications of Ireland’s rapid expansion of data centres – using satire and fictional framing to interrogate the global power of Big Tech. “Ireland has been at the forefront of this expansion for decades. If you want to understand tech and the threat it presents, you need to understand Ireland and how these companies operate there,” explained Agnew.

A community of Congolese plantation workers turning art into a tool for land restitution and ecological repair took centre stage at the CPH:DOX Roughcut showcase held on 16 March, as filmmakers Céd’art Tamasala and Renzo Martens presented The Dawn of the Post Plantation. “This film is a tool,” DRC artist Tamasala underscored. “A tool to get back our land, our dignity and to bring the sacred back into our community.”

Irish filmmaker Gar O’Rourke (Sanatorium) returned to CPH:DOX this year with The Siege of Paradise, a character-driven documentary exploring the human consequences of over-tourism in Italy’s Cinque Terre. “A few years ago an Italian friend told me about this small place of fewer than 4,000 people receiving more than four million tourists every year,” O’Rourke recalled. “I wanted to understand what that actually felt like.”

Moroccan filmmaker Asmae El Moudir presented her new hybrid doc project Don’t Let the Sun Go Up on Me, which concerns teenager Fatimazahra who, before her sad passing, suffered from xeroderma pigmentosum (XP), a rare genetic condition that makes exposure to sunlight potentially fatal. Now her younger sister Meriem carries forward Fatimazahra’s dream of travelling to Norway’s Lofoten Islands, where the polar night allows for months without sunlight. “I’m looking for ways to keep her alive,” the filmmaker explained. “Through her voice, through her own images — creating a dialogue between the living and the absent.”

Estonian filmmaker Maris Salumets presented her investigative documentary War on Women during this year's CPH:DOX Rough Cut presentation, held on 16 March. Salumets offered industry professionals an early look at a project that seeks to map the global networks driving anti-gender politics across Europe. “This is a film about my own journey investigating the anti-gender movement in Europe and its close ties to US and Russian money and influence,” she told the Copenhagen audience.

As British-Romanian Rachel Taparjan follows Mihaela on her return to Romania in search of her birth mother, she finds herself drawn into the unresolved shadows of her own past. For her feature doc Something Familiar, world-premiering at CPH:DOX, the act of shaping the narrative allowed Taparjan to reclaim agency over events that once felt overwhelming. “It gave me a sense of control, a sense of authorship, and ultimately a sense of empowerment,” she tells BDE. “And it gave me beauty and poetry even in very dark chapters of my life.”

Premiering in the main competition at CPH:DOX 2026, Little Sinner is a profoundly intimate documentary built from more than two decades of personal recordings. Helmed by Daro Hansen and Thomas Papapetros, the film traces Hansen’s journey from Damascus to Denmark while confronting the emotional aftermath of forced marriage, displacement and generational trauma. “The stories within it are incredibly important,” Hansen tells BDE. “So we wanted to balance things carefully. The film is only 90 minutes—how many stories can you tell in that time?”

In her feature doc In Defense of Self, Norwegian filmmaker Linn Helene Løken explores the fatal shooting of a man in urgent need of psychiatric help. The film reconstructs the final years of writer Morten Michelsen through more than 35 hours of personal audio recordings, alongside police reconstructions of the incident. World-premiering at CPH:DOX 2026, the 87-minute film examines the fragile intersection between mental healthcare systems and law enforcement, while raising broader questions about responsibility, narrative control and institutional transparency. Director Løken talks to BDE.

Brian Logvinsky's creative feature project, exploring how young Ukrainians navigate war through music, nightlife and community, was presented to professionals at Agora Docs, where it won the 2|35 Post-Production Company Award. Immortal Flowers is currently in post-production and seeking partners for its final stages. “My hope is that audiences first connect with the characters and their energy, and through that begin to understand the reality they’re living in," says director Logvinsky.