IDFA opening film review: Four Journeys by Louis Hothothot
Open, illuminating, sad and powerful, and often painfully honest and confrontational, Four Journeys examines the impact on both the director and his family of China’s one-child policy, which was introduced in 1979.
IDFA Industry review: Procession by Robert Greene
The Netflix doc Procession is the tender but often also traumatic story of six Midwestern men, all survivors of childhood sexual assault at the hands of Catholic priests and clergy, who come together to create a drama therapy-inspired experiment designed to collectively work through their traumas.
DOC NYC review: Young Plato by Neasa Ní Chianáín, Declan McGrath
An inspirational, moving and ultimately uplifting film that tells the unlikely story of a compassionate headmaster determined to change fortunes in an inner-city all-boys primary school by turning to the wisdom of the ancient Greek philosophers.
DOC NYC review: Dean Martin – King of Cool by Tom Donahue
Dean Martin: King of Cool strikingly reinforces the acclaimed Rat Packer’s importance within the cultural landscape of the second half of the 20th century, both as a charismatic crooner but also as a witty, relaxed and genial actor and performer who embraced comedic improvisation with ease.
Seville/IDFA review – The Painter by Oliver Hirschbiegel
An intriguing, mesmerising and illuminating one-man rollercoaster ride in which German actor Ben Becker ‘plays’ acclaimed contemporary artist Albert Oehlen engaging in, struggling with and expounding on, the process of abstract art creation.
Ji.hlava IDFF review – Out In Force by Martin Mareček
The journey can be uncomfortable for the viewer at times, and one questions just what the subject, film critic, Kamil Fila is getting out of the exercise, but Martin Mareček’s film, which world-premiered in Ji.hlava, is also absorbing and very watchable.
Ji.hlava IDFF review – Betula Pendula by Lina Zacher, Thomas Wellner
An affectionate, insightful and at times moving examination of memory and sight, Betula Pendula, world-premiering at Ji.hlava, follows Thomas Wellner (credited as co-director), who lost his sight at childhood, as he revisits childhood locations and starts to vividly recall moments, shapes, colours, smells and other memories from his past.
DOK Leipzig review – KRAI by Aleksey Lapin
The gentle and respectful underlying sense of humour permeating Russian-born Aleksey Lapin’s playful portrait of a village near the Ukrainian border, where he used to spend every summer as a youngster, helps prevent this hybrid documentary from being cruel or critical. The fact that locals enter into the spirit of the film serves to give it warmth, insight and a helping of generosity.
DOK Leipzig review: May God Be With You by Cléo Cohen
Family, heritage, religion and identity are playfully but astutely examined in Cléo Cohen’s DOK Leipzig International Competition world-prem May God Be With You (Que Dieu te protège), as the young filmmaker attempts to tackle her identity crisis and try and get a sense of herself within the context of her family story.
Ji.hlava IDFF opener review – When Flowers Are Not Silent by Andrei Kutsila
Andrei Kutsila’s powerful, moving and engrossing film When Flowers Are Not Silent looks at the aftermath of protests in Belarus against the country’s long-standing leader Alexander Lukashenka - who in 2020 claimed more than 80% of all votes - after the European Union, local opposition and a large part of the population called foul on the election results.





















