AJB DOC 23

Piotr Śmiechowski, producer at Polish production company Telemark, discusses the new project December in which the final month of the year brings not only snow and frost to Europe but also migrants who are offered neither gifts nor welcome, and whose presence triggers “a battle between empathy and indifference,” he says. AJB DOC Industry runs 9-11 September.

Filmmaker Irina Maldea tells a timely story in her documentary project, selected for AJB DOC Industry. The ‘New Thinking’ of Mikhail Gorbachev was dismissed as Utopian fantasy, the director stresses, but nevertheless a chance for long-term peace was lost forever in the pursuit of short-term gain, and the war currently raging in Ukraine is, arguably, a direct consequence of the short-sightedness of over 30 years ago.

The new documentary, world-premiering at AJB DOC, concerns two titans of football in the Balkans, specifically Sarajevo - Vahidin and Husref Musemić. “These are two knights who made not only FK Sarajevo famous, but also the city of Sarajevo and Bosnia and Herzegovina, even Yugoslavia,” enthuses co-director Edin Isanović to Business Doc Europe.

The international jury for the 6th Al Jazeera Balkans Documentary Film Festival (AJB DOC, 8-12 Sept) comprises director Vitaliy Manskiy, director Bernadett Tuza-Ritter, producer Vanja Jambrović, director Nermin Hamzagić, and producer Mohamed Elmongy. The five-member jury will decide on the best film from the AJB DOC Film Festival competition programme and grant the AJB DOC Main Award.

The sixth edition of the Al Jazeera Balkans Documentary Film Festival (AJB DOC) will kick off September 8 in Sarajevo with the screening of the film Game: Second Level by Sajid Khan Nasiri, Eefje Blankevoort and Els Van Driel. The festival runs from September 8 to 12 and presents 24 films whose common theme is human rights. The second edition of Al Jazeera Documentary Industry Days @ AJB DOC will run Sept 9 to 11.

Intrepid 52-year-old Bosnian athlete and filmmaker Tomislav Cvitanušić, a basketball star in Sarajevo as a youngster, recently made climbing Everest, the world’s highest mountain, his goal. His ascent is chronicled in new documentary, The Deepest Summit, screening this weekend at AJB Doc. Was there an ulterior motive? “To steal some of the media space from the everyday politics that is always quite pessimistic in the Balkans,” he tells BDE.

Organisers of the 6th Al Jazeera Balkans International Documentary Film Festival (AJB DOC, 8-12 September, Sarajevo) unveiled August 28 this year’s 24-film official selection. Thirteen films play in Competition programme, including the highly lauded My Name is Happy by Nick Read and Ayse Toprak, and When Spring Came to Bucha by Mila Teshaieva and Marcus Lenz. The overall selection presents six world, one international, 12 regional and five Bosnian and Herzegovinian premieres.

Life is Beautiful is the story of a life put on hold by international politics and rigid bureaucracy. The project, helmed by Mohamed Jabaly and based on his own experience of displacement, is being produced by Kristine Ann Skaret for Oslo-based Stray Dogs Norway. Business Doc Europe spoke to Skaret about the documentary, its urgency and its aims.

Parma-based filmmaker Matteo Ferrarini explains that Spring in Mariupol (screening in Competition in AJB Doc) is intended to give a very different perspective on the Ukrainian war than that provided by most of the western mainstream media. Many western journalists visited Mariupol during the siege but most left after a couple of days. Maurizio stayed put for the whole of the spring, he tells BDE, trying to understand what the city’s residents were enduring. The siege lasted until late May.

‘A person who dies without a name is like a story without an ending,’ reads the logline for Pure Unknown, screening in AJB DOC Competition. The objective of Italian forensic pathologist Cristina Cattaneo, profiled in the film, is to make sure as many stories as possible do find an ending. “I completely fell in love with…her mission and her ethical approach to her work, to her life and to the lives of others,” co-director Mattia Colombo tells BDE.