Interviews

Last year, filmmaker Niki Padidar opened IDFA with All You See. This year she is back as Curator of the festival’s Youth Competition. “With adults, you can get away with using big words and metaphors that nobody understands and won’t admit they don’t. But with children, they will never put up with that! They challenge you to be really good at what you do - and when you reach them, it is really rewarding,” she says of her target audience.

What is death? This is one of the questions asked in Ömer Sami’s wry new documentary Eternal Father, about Nasar Ghafoor, a Virgin Media engineer from Rochdale who wants to live forever. Dying is defined in many different ways: clinical and legal among them. Some, including Nasar, refuse to accept these definitions. The director explains more to BDE.

The Ukrainian/German filmmaker team were making a feature documentary about the former US military base at Schweinfurt in mid-Germany when it was re-purposed in Spring 2022 to house displaced mothers and children who had fled the war in Ukraine. In their poignantly titled short doc, in equal part playful and melancholic, we see the world through the eyes of the children now living on the compound. The filmmakers talk to BDE.

Documentary sales powerhouse Autlook arrives at IDFA with a mix of world premieres and titles screening in Best of Fests. Among the latter are two docs in this year’s race for the International Oscar, Asmae El Moudir’s Cannes hit The Mother of All Lies (representing Morocco) and Estonian hopeful Smoke Sauna Sisterhood (which has already won Anna Hints a Directing Award at Sundance). Autlook boss Salma Abdalla talks to BDE.

Ukrainian filmmaker Mstyslav Chernov talks to Business Doc Europe about 20 Days In Mariupol, a Dutch premiere in Best of Fests and already an Oscar contender. The film is sold by Dogwoof. “What I didn’t want to do was to impose any feelings or judgements on the audience by being too emotional or over-analysing. But at the same time, I needed to show care. I am part of this society. I am part of this country,” says Chernov.

“What I seek is added value, films that add value to the life of the viewer and…to the art of filmmaking itself,” Orwa Nyrabia tells Business Doc Europe on the eve of Amsterdam’s celebration of all things doc. “Originality, authenticity, imagination, innovation, artistic integrity, stylistic coherence…all lead to the hope that this adds value and meaning to the human condition.” The 36th IDFA runs November 8 - 19.

Laura McGann’s feature documentary tells the story of a love which seemed predestined, between two people who were driven by their dedication to the perilous sport of freediving: Alessia Zecchini, an Italian world champion diver, and Irish Stephen Keenan, an adventurer who devoted his life to making sure divers came back up alive. The director discusses her film, which deals, in equal measure, with endurance, danger and death.

In his new film, Nôs Dança (a world premiere earlier this week in Doclisboa’s Heartbeat section) Rui Lopes da Silva accompanies his friend, dancer and choreographer António Tavares, on an epic journey across the Cape Verde islands. “The idea of the film began at a New Year’s party at the house of a friend. During that night, we danced all the styles of dance of Cape Verde,” the director tells BDE.

Czech producer/director/festival chief Veronika Janatková talked to Business Doc Europe after she was presented as one of Ji.hlava’s Emerging Producers of 2023. “I believe that through film one can perceive and consider society differently, and pay attention to those that are not in power. Film can be the fuel for action,” she underlines.

If you’re Estonian, then it’s a great time to be a docmaker, as evidenced by the ongoing acclaim for Anna Hints’ Smoke, Sauna, Sisterhood. Another top Estonian is Liis Nimik, whose Sundial (which she also directed) was selected for the Hot Docs Changing Face of Europe programme in April 2023 and who, this week, has been enjoying the attentions of the international doc community as one of this year’s Emerging Producer cohort this year.