Sheffield 25

In Sheffield, Amilcar Infante and Sebastián González’s Unwelcomed has its European premiere in Journey, while two new Chilean projects are selected for MeetMarket. At Sunny Side of the Doc, 3 Chilean docs are selected across the market’s pitch sessions. “As the Ministry of Cultures, we remain committed to the audiovisual sector, supporting the presence of Chilean works and projects in major documentary markets and festivals,” says Carolina Arredondo, Minister of Cultures, Arts and Heritage.

Kicking off at Sheffield DocFest and Sunny Side before further roll-out across Europe, the 2025 Ex Oriente Features and Series workshop programs are designed “to support daring, author-driven documentaries from Central and Eastern Europe,” write organisers. This year’s edition brings together 12 feature-length documentary projects and 5 docuseries in development or early production stage, selected for their “creative potential and international relevance.”

In Indian Bipuljit Basu’s remarkable debut feature we meet a Kolkata-based troupe of sex workers and their children, who are driving change through CAM ON, their self-run creative community that makes dynamic films about their lives. “I wouldn't have become a filmmaker if I had not met this wonderful community,” says the self-taught Basu. “Over the past five years they shaped me as a filmmaker, awakened my emotion as a filmmaker, and they helped me to grow as a human being…Trusting their collective intelligence made this film possible.”

The song Agadoo was just about as bad as it gets, an opinion that many people also formed about Black Lace, the band that sang it. Frontman Dene Michael Betteridge has probably sung it more than 20,000 times, director Kim Hopkins tells BDE of the group’s willing subject of her touching new doc Still Pushing Pineapples, which opens the 32nd Sheffield DocFest. Would he appear in a warts-and-all account of his life, she asked him at the beginning of the process. Absolutely, was the answer. “I think he has the philosophy that all publicity is good publicity,” Hopkins says.

Executive producer Salla Kozma (pictured) announced June 19 the launch of her new Monaco and Finland-based film and TV production company Pig & Horse Productions. She also announced a “dynamic slate” of high-quality documentaries and unscripted formats, foremost among which is the high-end doc Reflections of Gaugin which “delves into the mystifying world of infamous art, wealth and power.”

“I think these are good times for documentaries as a genre, I'm very optimistic,” DocFest’s Raul Niño Zambrano tells BDE on the eve of the festival’s 32nd roll-out. “Yes, there is something specific in the current climate - with misinformation, with artificial intelligence, with fake news - but I think we are really playing a key role in shaping the landscape of what the discussions can be about. We are giving something necessary, but also something different.”

In her feature doc debut, UK director Jessi Gutch talks to folk in her new home town of Folkestone, which overwhelmingly voted for Brexit in 2016, about the business of identity and what it means to be British. Or perhaps more accurately, what does it mean to be English? “I wanted to just talk to people and not make this into a kind of hero-villain thing. I was going to go into this more open-minded with people, starting from a place of compassion rather than starting from a place of judgement,” she tells BDE.

In her analysis of a murder in a small close-knit Florida community, Geeta Gandbhir, who won the Directing Award for US documentary at Sundance 2025, presents a devastating critique of race, inequality and the vigilante-style ‘stand your ground’ legislation in operation in the US today. “The right to defend yourself…has been weaponised against black and brown people as a licence to kill,” she tells BDE of her Netflix doc.

An affectionate and gently insightful examination of an immigrant story, Karla Murthy’s respectful and thoughtful film charts her father’s journey from India to America, mainly based on a series of recorded interviews with him while he was working the night shift at a Texas gas station. What the doc does quite wonderfully is act as a warm-hearted tribute to an immigrant life and a reflection on the importance of family kindness.

Ukrainian co-director Mila Teshaieva talks to BDE about her and Marcus Lenz’s return to the protagonists of their highly lauded 2022 documentary When Spring Came to Bucha. “I was trying as much as I could [to make] a film that would not only speak about the dark side,” she says. “At the same time, I think our film is very honest, strikingly, strikingly honest about those very normal lives touched by war and broken into pieces.”