Geoffrey Macnab

Veteran Israeli artist and director Amos Gitai returns to Venice with his latest feature documentary, The Road to Jericho, a poetic meditation on conflict in the Middle East and the diminishing prospects for peace. The director tells Business Doc Europe how he regards culture as “one of the only channels which is remaining to create a dialogue.” That is why he so opposes cultural boycotts. “If you block any form of dialogue, then, OK, let’s go to the next war. I think channels of dialogue always should remain open.”

UK director Louise Lockwood discusses her new feature doc Bel, which closes EIFF on August 19 and which profiles the prodigiously talented Kenyan-Scottish artist-musician-singer Beldina Odenyo who took her own life in 2021. “What an utter tragedy that that talent has been stopped. It’s obviously heart-breaking for the family, a human loss, but that raw, raw talent was totally the same. Bel and Amy [Winehouse] were very similar in that respect,” Lockwood tells BDE.

Dutch producer Renko Douze discusses Ukrainian Helena Maksyom’s feature doc Don't Ask Me If I Killed, sold by Esther van Messel’s First Hand Films, that chronicles the director’s life as a soldier in defence of her country. “It’s such a special and individual story. It’s really her story - and a very human perspective on the frontline,” Douze says of the film, receiving its International Premiere in Sarajevo Documentary Competition.

Filmed over 25 years, Magnum photographer Alessandra Sanguinetti’s feature documentary, sold by Autlook, follows Guille and Belinda, two inseparable cousins growing up on neighbouring farms in Argentina’s Pampas. "To me, they were just the centre of the universe - and I think that comes through in the work too. If you stop and pay attention to the smallest things, you can make them the centre of the world.” the director tells BDE of her feature debut, world-premiering in Locarno’s Filmmakers of the Present Competition.

Ukrainian soldiers Shakhta, Potter and Dancer have a very close relationship with death, having returned to the front-line after Russia’s full-scale invasion in 2022. “People at war accept [the possibility of] their own death and it really changes you,” Hontaruk elaborates to BDE on the title of her feature documentary, selected for Karlovy Vary. “This transformation is really important and powerful inside a person. It is a key to this film. You need to find your desire to live - and life is stronger than death.”

There is an intriguing absence at the heart of Rosa Friedrich’s hybrid documentary My Friend the Porn Star (screening in Proxima Competition at the Karlovy Vary Film Festival and sold by New Docs). The director’s friend, the would-be porn star Timo, decided late on during the project that he didn’t want to appear in it any more. Undaunted, Friedrich took the bold decision to keep his body but to use AI to replace his face with that of another man. The director explains more to BDE.

Norwegian filmmaker Even Sigstad tells the story of how intrepid Norwegian climber Kristin Harila broke mountaineering records in 2023 when she and her Nepalese climbing partner, Tenjen Lama Sherpa, scaled 14 of the world’s highest peaks in the space of only 92 days. The trip, though, developed a very dark side when they were accused of leaving an injured Pakistani porter to die on K2. “We couldn’t foresee how the whole story would evolve and the controversy around it,” Sigstad reflects on the mountaineering story that turned into something very different and far more complex.

Try! follows four players from four Irish teams to the Mixed Ability Rugby World Cup in Spain, where 32 teams from 16 countries go head to head in fifteen-a-side, full-contact rugby played by people with and without physical and learning disabilities. ““There are so many stories. The biggest challenge for us was trying to find out which of these characters we should focus on because everybody involved in that community, just to get to the pitch, they have to overcome so many obstacles,” director Oisín Mistéil tells BDE.

As we see in the heart-wrenching new documentary, Syrian activist and co-director Wafa Mustafa continues to search for her father Ali, who disappeared under the murderous regime of Bashar al-Assad. “Of course, the fall of the regime is a new beginning for humanity, not just for Syria, but the fight continues,” Mustafa tells BDE. “The only thing that will give me hope is fighting every day for other young women not to lose their fathers because they dared to speak politics, or dreamed of a better reality.”

Dutch producer Renko Douze discusses Ukrainian Helena Maksyom’s feature doc Don't Ask Me If I Killed, sold by Esther van Messel’s First Hand Films, that chronicles the director’s life as a soldier in defence of her country. “It’s such a special and individual story. It’s really her story - and a very human perspective on the frontline,” Douze says.