Interviews

Indian filmmaker Madhusree Dutta could not understand why her mother, who died of Alzheimer’s in 2015, would talk so much about tigers, even though she had never mentioned seeing one before her illness. But after hearing the story of the eponymous US Flying Tiger planes that were operational in the Himalayas during WW2, things began to fall into place for Dutta, at which point she was inspired to embark on a genre-defying study of memory, war and infrastructure. Dutta discusses her new film with BDE.

Patric Chiha’s inspiration for his new documentary, selected for Berlin Panorama, came in September 2022 when he first saw images of young Russians crossing the border in Georgia, fleeing the Putin regime. “They were facing a situation I could not imagine. Their faces seemed to say a lot about their fragility, and the violence of our world,” the director reflects to Business Doc Europe.

The short documentary The Devil Is Busy comprises a day in the life of Tracii, the head of security at a women's healthcare clinic in Atlanta, Georgia, who works tirelessly to protect the women who are forced to fight through protesters to receive their abortion care. “We wanted to take people through what it means to be in the positions of the staff, the women who are working in this clinic day in and day out, because they are really on the front line of what has turned into a battle,” co-director Gandbhir states. “With many of the protesters outside, it’s like a holy war.”

In Hungry, world-premiering February 2 in IFFR’s Harbour section, Austrian director Susanne Brandstaetter offers a sobering account of how, in the not-so-distant future, humankind has allowed itself to become extinct. With no humans left on Earth to explain exactly why this, it is left to an alien visitor to the planet to determine the food-related sequence of events, the “cause and effect” that led to our demise as a species. The filmmaker serves up the conclusions for Business Doc Europe.

A feast for the eyes and ears, the hybrid Krakatoa, presented both theatrically within IFFR’s Harbour section and as an installation within Art Directions, recreates the volcanic explosion of 1883 which resulted in the loudest sound ever heard. It is a film with contemporary resonance, within an ecological sense. “It’s a goal to rethink our position with the planet… we have to make a kind of sacrifice to nature in order to appease it, in order for it to become stable again, and establish an equilibrium.”

Reading through her teenage diaries reminded director Angelica Ruffier of a romantic obsession she once developed for her history teacher. That memory forms the basis of her new feature doc, selected for IFFR Tiger Competition. “The really difficult part was to read them now…” she tells BDE of a sense of shame she felt when she first looked back over the old notebooks. However, she soon realised that what she had written was, in fact, frank and accurate, a record of “pure” experience.

The Polish feature documentary Closure tells the most desperate of personal stories, that of a dad searching for his lost son. “This film became one of the most challenging I’ve made on every level, because it required holding two impulses at once,” says director Michał Marczak. “On the one hand, I wanted to keep the crew minimal and intimate. On the other hand, I wanted the film to carry an epic scope, to convey emotion through images and atmosphere, through showing rather than telling.”

In his new doc series, the first part of which world-premieres in Sundance Episodic, Danish director Andreas Dalsgaard chronicles the decade-long legal battle between the Swiss art dealer Yves Bouvier and the Russian oligarch Dmitry Rybolovlev over the enormous mark-ups that Bouvier applied to the sales. “I trust neither of them and never trusted them. They play a billion-dollar game that complicates things for everyone,” Dalsgaard tells BDE.

For 10 years, Itab Azzam and Jack MacInnes followed Isra’a and her family from Syria to Germany and back again, as they were forced to navigate war, exile and emotional anguish. As we see in the film, selected for Sundance World Documentary Competition, characters don’t always behave as you would expect. “Good people do bad things. People are morally complex. We don’t seek to sit in judgement. We just want to put it out there, the effects on a family of being transplanted into an alien culture and how that can tear them apart,” co-director MacInnes tells Business Doc Europe.

The first major doc fest of the year, and screening over 150 films from 35 countries, the 8th edition of Biarritz-based FIPADOC kicks off January 23, running to January 31. Additionally, Industry Days, a key event in the local and international doc calendar will see a gathering of France’s foremost docmakers, producers, broadcasters and industry professionals. FIPADOC boss Christine Camdessus discusses her festival’s offer, both for public and professionals, with BDE.