Business Doc Europe

The only documentary in 2026 Berlin Competition, YO (Love is a Rebellious Bird) is a paean to love and friendship, and told using puppets. It details the close relationship between director Anna Fitch and her best friend Yolanda Shea, 50 years her senior. “It feels good, and I feel like the process of bringing it [the film] to the world is very dynamic and alive, and Yo feels present in that too,” Fitch tells Business Doc Europe before the February 20 world premiere.

Around Paradise is a film of opposites and extremes, of myths, legends and beliefs. Set in a poor region of Paraguay, it is also a film about neo-colonialism, as practised by “settlers” from around the world [many of whom are German]. Meanwhile, locals such as students Will and Yoha are trying to eke out a living. “We were actually there to listen and to explore," director Lokshina tells BDE. "This is how we work in general... we are genuinely interested in understanding the dynamics of the places we are spending time in, getting an idea of what's driving the people who we interact with.”

Two tragic stories are at the heart of What Will I Become? the new feature documentary from Lexie Bean and Logan Rozos (premiering in Generation 14plus and sold by Taskovski Films). Blake Brockington and Kyler Prescott were both young trans men. They were very different personalities. Blake was extrovert and charismatic, the “homecoming king” at his high school in North Carolina. Kyler was a quieter, more reflective personality, a poet and a musician. Both were to end up committing suicide. The directors discuss their film with BDE.

Finlay Pretsell’s documentary on the great Scottish artist, sold by Autlook and produced by Sonja Henrici and Pretsell himself, is as close as you can come to watching a major talent in full flow. “I was fascinated by what makes a great artist tick, I suppose,” the director tells BDE. “He’s almost in some sort of trance, making this work. This would take hours. We would often spend 12 to 15 hours [a day] in the studio.”

Traces, selected for Berlin’s Panorama section, addresses head-on the collective trauma suffered by survivors of conflict-related sexual violence (CRSV), as perpetrated by the Russian military on Ukrainian women and men since 2014. More so, the film is about the refusal to remain silent, and centres on Iryna Dovhan, head of SEMA Ukraine, who documents the testimonies of survivors. “You see these women, you see their faces. They're not covered. They're not blurred. They're ready to talk. They're ready to sacrifice their privacy for the sake of truth,” co-director Kovalenko tells BDE.

Tristan da Cunha may be the most remote inhabited island on the planet, but it is nevertheless the place where Loran Bonnardot, a piano-playing doctor from Paris, is determined to settle. His existentialist journey, part-fictionalised, is chronicled by Swiss director Tobias Nölle. “I saw in Loran a castaway from our hyper-competitive society, seeking an authenticity we’ve lost, on an island secluded from our war-torn world; a dream I wanted to transform into a cinematic experience,” he says.

Yo (Love is a Rebellious Bird), the only documentary in Berlin Competition, picks up the Silver Bear for Outstanding Artistic Contribution. The Berlinale Documentary Award was given to If Pigeons Turned to Gold by Pepa Lubojacki. In the Teddy Awards, the Best Documentary/Essay Film award went to Brydie O’Connor for Barbara Forever. All doc awards…

How do you prove a documentary’s effectiveness in a climate of shrinking public resources, risk-averse commissioning and opaque platform metrics? That question sat at the heart of the DocSalon event titled Data on Impact, Please! Essential Needs in Non-Fiction Financing, an open-format conversation held on 15 February that repeatedly returned to a simple diagnosis: the sector is being asked to justify itself with data it often cannot access, cannot standardise and has little capacity to collect.

On February 16, EFM 2026 hosted a session titled Future Heritage – Securing the Future of Digital Cinema Archives, during which experts delivered a clear message to the documentary sector: the industry has embraced digital production, but long-term preservation remains dangerously fragile. The panel was part of Doc Salon’s Archive Day.

The leading Greek docfest revealed February 19 the fourteen-film selection for its International Competition. Prizes include the Golden Alexander, which is accompanied by a cash prize of 12,000 euros, and the Silver Alexander, accompanied by a cash prize of 5,000 euros. The 28th Thessaloniki International Documentary Festival runs March 5-15.

At EFM 2026 Ji.hlava IDFF presented the current cohort of professionals partaking in its Emerging Producers programme, and put out the call for the next programme that will run 2026 through 2027. Every year the festival selects 18 talented producers (17 European and one representing a guest country), which it provides with educational, networking and promotional support. The applications deadline for the next programme is March 31.

Academy Award-winning Ahmir 'Questlove' Thompson sat down with Geeta Gandbhir to discuss her Oscar and Bafta-nominated The Perfect Neighbor, about the shooting of Ajike Owens, a Black mother of four, by her white neighbour, who claimed "stand your ground" rights in her defence. “It's really about the intersection of racism, polarisation, anger and predatory laws that lead to violence,” says Gandbhir of her Netflix documentary.