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Matt Alesevich and Hemal Trivedi’s short documentary focusses on the deeply personal relationship between Aney, a New York–based healthcare worker, and Farida, a wise and resilient teenager from an Indian nomadic tribe. “People say that there are three types of C that get funded, which are films about cult, crime, or celebrity,” co-director Trivedi tells BDE. “But there's a fourth C which people don't talk about, which is community. And our film is about building community.”

Mariska Hargitay’s Oscar-contending HBO-backed documentary is a deeply personal and clearly cathartic venture in which the filmmaker tries to make sense of her relationship with someone about whom she has only the most fleeting recollections - her mother, Jayne Mansfield. It was a film Hargitay made with the blessing of her siblings. “Not only did they trust me but, at the end, they all shared how healing and how cathartic it was for them. I told them I am making this movie for us,” she tells BDE.

It’s 50 years now since the end of the Vietnam war. A still largely unchronicled aspect of the conflict is the plight of the “Amerasian” children born to Vietnamese mothers but abandoned by their American GI fathers. Sang, the subject of Weronika Mliczewska’s new doc Child of Dust (sold by Rise and Shine and an Oscar contender) is one of these lost souls. The director talks to BDE.

Third Act (which premiered in Sundance) is an intimate and loving portrait of Robert A. Nakamura, the pioneering Japanese-American filmmaker often called “The Godfather of Asian American film,” who died earlier this summer. “Initially, we set out just to make a simple biography of my dad, a portrait of an artist celebrating his achievements and career,” Tadashi Nakamura tells BDE. “But anyone could make that biopic. What is the film that only I could make, as his son, in that moment? That was an open-ended question and the challenge.”

Flemming Fynsk’s intimate portrait of Ginny Williams (1927-2019) brings to life the story of a collector who seemed to have an instinct for female artists who were destined to take the art world by storm. “I'm all about character and heart and originality and I just had this feeling that it's rare to meet a character like her, somebody who's so confident in who she is, and how she interacts with the world. And I had a great desire to capture it,” Fynsk tells BDE.

In American Sons, director Andrew James Gonzales follows a brotherhood of Marines a decade after their deployment to Afghanistan, as they struggle to overcome the trauma of combat and the loss of their best friend, Corporal JV Villarreal. “It goes back to what Charles Dickens said in A Tale of Two Cities. It was the best of times, it was the worst of times,” the director tells BDE. “Even though it was horrible, it was also the greatest experience they’ve ever had…the love you have for someone who you’re willing to die for and who is willing to die for you, we cannot imagine.”

Impact Days 2026 kicks off in earnest on January 15 2026, bringing together international experts for the annual Impact Filmmaking for Social Justice webinar. The 75-minute session will focus on choosing the right team to best articulate and implement impact goals, and will feature Ishtar Lakhani of and Rogue Union, and Prince Odera Onyore Nyambok II of DocA – Documentary Africa.

Eighty Plus by Želimir Žilnik wins the Laceno d’Oro 50 Award, as decided by a jury composed of the filmmaker Andrei Ujică, the producers Jani Pösö and Donatella Palermo and the editor Joe Bini. The film, which receives a €3,500 prize. The Audience Award “Franca Troisi” was won by Je suis la nuit en plein midi by Gaspard Hirschi. The 50th Laceno d’Oro International FF ran December 1 to 8 2025.

In 2026 DocsBarcelona Pro will double the value of its awards to nearly 60,000 euros, of which 42,500 euros are paid in cash. The event will run May 9 to 14 during the 29th edition of DocsBarcelona (May 7 to 17, 2026). Professionals from around the world can apply for sic initiatives which include the Public, Rough Cut and New Tech pitches. The deadline for submissions is January 30, 2026, through Docs&Me.

Organisers of the Sundance Film Festival announced Dec 10 their program for the upcoming edition, running January 22–February 1, 2026, and online Jan 29 to Feb 1. Documentaries will compete in World Cinema Documentary Competition and US Documentary Competition, and a raft of docs are selected within the Next, Premieres, Midnight, Non-fiction Showcase, Spotlight, Family Matinee and Special Screenings sections. Read on for all doc selections.

The Nyon-based docfest is inviting films for its Official Selection, which includes six competition sections, as well as projects for VdR–Industry activities. Films in competition receive their world, international or European premiere. The final date for submissions for both Festival and Industry is Dec 15. The 57th edition of Visions du Réel will run 17 to 26 April 2026.

Roger Ross Williams (Stamped From The Beginning) speaks to Geeta Gandbhir about her Sundance-winning feature doc The Perfect Neighbor, which presents a devastating critique of race, inequality and the vigilante-style ‘stand your ground’ legislation in operation in the US today, and which details the events leading up to the murder of Gandbhir’s friend Ajike Owens. The director recalled the conversation she had with Ajike’s mother Pam in terms of the outreach support she could offer after the tragic loss. “I have no money to give you. I'm not a doctor. I'm not a lawyer…but I think I can make a film.”