Business Doc Europe

Shot on 16mm, its carefully graded black tones echoing the shadowy, ever-shifting levels of diffused light-and-shade as experienced by unsighted people, A Blind Song documents the tac-til Choir on their visit to Japan to explore the ancient tradition of the Goze - blind nomadic female musicians whose tradition dates back to medieval times. BDE talks to directors Stefano Canapa and Natacha Muslera, along with Cécile Sans, responsible for both writing and voice.

Chronicling one person’s experience of travelling across continents to escape a North African prostitution ring, Coming From the Sea follows a young Nigerian woman who embarks on a perilous odyssey across Europe to rebuild her life and protect her child - but the ghosts of her past are never far behind. “I don't like this word migrants we use in France. I prefer exiled people,” producer Emmanuel Gras tells BDE. “I want us to see them not as just figures of people who come, but as human beings, and above all as adventurers and explorers.”

‘What we are trying to depict is this volcano as a mirror of the world… we cannot control it, so we have to be in contact with nature, and somehow co-exist together,” says Jasmina Sijercic, producer of a new documentary about the island of Stromboli, where the active volcano is a perpetual presence. Business Doc Europe caught up with her ahead of the ParisDOC Work-in-Progress screening of The Island, directed by Sara Rastegar and Simone Pozzi, on 25th March.

Chilean René Ballesteros’ feature documentary, world-premiering in Paris, follows the stories of two Mapuche men, Juan and Daniel, who were taken from their Chilean homeland as children and adopted by European families in dubious circumstances. A trained psychologist, the film has a personal undertow for the director. “Once I met Albert Maysles…and he told me that the link between being a psychologist and making documentaries is listening,” he tells BDE. “With both Juan and Daniel there was a connection, because I was trying to listen to myself, too.”

Dutch Bart van den Aardweg discusses his dynamic new documentary, shot in both Belgium and The Netherlands, which addresses alienation and how youths may resort either to criminality or radicalisation as an outlet. “I wanted to explore the mind of somebody on the so-called wrong path further and deeper, and to create an interior monologue, to connect their thoughts to the physical shape I had used before. And I knew that I had to live amongst my characters to catch the real story, make them talk to me.”

The Netherlands-based Italian filmmaker discusses his new feature documentary, selected for Movies That Matter, about the ongoing febrile political situation in Armenia. “The moment I got interested in Shahen was when I realised the pressure this young guy was under,” recalls director Marco De Stefanis. “He was keeping up the fight while his father was in prison. I felt really sorry for a guy that age that doesn’t have the same youth I had.”

Swiss filmmaker Moris Freiburghaus received the award March 27 for Best Documentary Film. In the film, Swiss musician Dino Brandão travels to Angola to give a concert in his father's home country. Brandão also won the award for Best Film Score. The film celebrated its world premiere at the Zurich Film Festival 2025 and was honoured with both the Best Documentary Film Award and the Audience Award.

The awards of the 48th Cinéma du Réel 2026 were handed out March 28 with the Grand Prix Cinéma going to London by Sebastian Brameshuber. The Cinéma du réel International Award was handed to Levers by Rhayne Vermette, while the Cnap Award for a French Film went to A Blind Song by Stefano Canapa and Natacha Muslera. Among the professional ParisDOC Awards, the Coup de cœur Orlando x Culori went to L'Île by Sara Rastegar and Simone Pozzi. All awards…

The panel, moderated by FIFDH Impact Days’ Sophie Mulphin, sought to explore innovative models of storytelling collaboration, determine what drives interest from media funders, and investigate how strategic media engagement can elevate campaigns to greater levels of visibility and effectiveness. Panelists were Lindsay Poulton, Editorial Director and Head of Documentaries, The Guardian; Impact strategist Leni Velasco, and Abby Rapoport, Director of Media Impact Funders. BDE reports.

The winners of the East Doc Platform 2026 were announced on March 24 at the French Institute in Prague, where a total of 16 awards were presented across the programme, recognizing outstanding documentary projects at various stages of development. “The winning projects showcase a compelling and diverse slate defined by bold artistic vision, urgent social themes, and strong international potential,” write organisers.

The Central European Documentary Co-production Market (June 3 – 5) is held every year during the Krakow Film Festival in Poland. Building on its Central European location, CEDOC nurtures a cooperation between East and West, North and South with a special focus on Central European projects and talents. The event, organized since 2015, is part of the DOC LAB POLAND and KFF INDUSTRY program, which consists of workshops, consultations and pitchings of Polish documentary projects (DOCS TO START and DOCS TO GO).

Ji.hlava IDFF has repeated its call for the next Emerging Producers programme that will run 2026 through 2027. Every year the festival selects 18 talented producers (17 European and one representing a guest country, this year Japan), which it provides with educational, networking and promotional support. The applications deadline is March 31.