INTERVIEWS

Awards FYC: Mr Nobody Against Putin by David Borenstein, Pavel Talankin

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David Borenstein talks to BDE about his extraordinary feature doc, co-directed with Pavel "Pasha" Talankin, a Russian teacher who secretly documents his small town school's transformation into a war recruitment center during the Ukraine invasion. “To see the road he has taken in the last year and a half, will I ever see something like that again in my life? I don’t know…it is dramatic! That has been a joy to me,” Borenstein marvels at how the softly spoken former teacher has transformed his life.

Awards FYC: Yanuni by Richard Ladkani

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Produced by Leonardo DiCaprio, Richard Ladkani’s Yanuni profiles the remarkable Juma Xipaia, an Indigenous leader from the Xipaya people in Brazil who, in her early 20s, became the first woman chief in the Middle Xingu region, and who has campaigned ferociously to protect her community in the Amazon from exploitation by miners, foresters and anyone else looking to pollute and destroy the ecosystem. “If we lose the Amazon, then we will all lose,” the director tells BDE.

Awards FYC: Holding Liat by Brandon Kramer

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Business Doc Europe talks to Liat Beinin Atzili, the eponymous subject of Brandon Kramer’s Oscar shorted-listed Holding Liat, which follows Liat’s family after her abduction during the October 7 2023 Hamas attacks. “It is possible for me as an individual to go through the experience that I went through but still believe in other people and believe that there can be kindness,” she tells BDE. “People can still hang on to their humanity even in very, very difficult situations.” Liat is joined in interview by the director.

Awards FYC: Where the Light Enters You by Matt Alesevich and...

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Matt Alesevich and Hemal Trivedi’s short documentary focusses on the deeply personal relationship between Aney, a New York–based healthcare worker, and Farida, a wise and resilient teenager from an Indian nomadic tribe. “People say that there are three types of C that get funded, which are films about cult, crime, or celebrity,” co-director Trivedi tells BDE. “But there's a fourth C which people don't talk about, which is community. And our film is about building community.”

Awards FYC: My Mom Jayne by Mariska Hargitay

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Mariska Hargitay’s Oscar-contending HBO-backed documentary is a deeply personal and clearly cathartic venture in which the filmmaker tries to make sense of her relationship with someone about whom she has only the most fleeting recollections - her mother, Jayne Mansfield. It was a film Hargitay made with the blessing of her siblings. “Not only did they trust me but, at the end, they all shared how healing and how cathartic it was for them. I told them I am making this movie for us,” she tells BDE.

Awards FYC: Child of Dust by Weronika Mliczewska

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It’s 50 years now since the end of the Vietnam war. A still largely unchronicled aspect of the conflict is the plight of the “Amerasian” children born to Vietnamese mothers but abandoned by their American GI fathers. Sang, the subject of Weronika Mliczewska’s new doc Child of Dust (sold by Rise and Shine and an Oscar contender) is one of these lost souls. The director talks to BDE.

NEWS

Glasgow FF 2026 to open with UK prem of Everybody...

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BAFTA-winner Felipe Bustos Sierra’s documentary about one of Scotland’s most spontaneous and successful acts of civil resistance in recent memory will open the festival’s 22nd edition on 25th February. Executive-produced by two-time Oscar® winner Emma Thompson, Everybody To Kenmure Street will world-premiere in World Cinema Doc Comp at the upcoming Sundance FF.

13th ParisDOC Works-in-Progress call for projects

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The industry arm of Cinéma du réel (March 21-18 2026) “actively supports the distribution, promotion and placement of feature documentaries by linking, at a key stage of the production process, project holders (filmmakers and producers) to industry professionals,” organisers write. The deadline for the Works-in-Progress of ParisDOC 2026 (25-26 March) is January 7 2026.

Fipadoc Industry Days unveils international pitches for 2026 edition

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Twenty-four new projects will be pitched January 28 and 29 2026 in Biarritz. “Without the questions, challenges and dilemmas that documentaries raise, we risk losing some of the essential element in our democratic systems: dialogues, debates and narratives that bridge the divide rather than creating confrontations and information bubbles,” write organisers. “The 2026 Fipadoc International Pitches is our contribution to democracy, so we better can avoid a future of 'democrazy.'”

First doc titles for Berlin Panorama, Generation, Retrospective

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“Which spaces are open to us? Which ones do we conquer and defend? These are central questions posed by the programme so far,” writes Berlinale Panorama of the first selections for 2026. The Generation team also hail their first selections. “Curiosity, anger and hope, grief and tender solidarity - from Brazil to Taiwan, the programme immerses itself in the lived realities of young protagonists,” they write. Furthermore, eight docs are selected for Berlin Retrospective. The 76th Berlinale runs February 12 to 22 2026.

AMPAS unveils 2026 Oscar doc shortlists

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The Academy of Motion Picture Arts and Sciences announced December 16 the shortlists in the documentary categories of the 98th Academy Awards®. Fifteen films will now advance within each of the Documentary Feature Film and Documentary Short Film categories. Two hundred and one films were eligible for the Doc Feature category, while 117 films qualified in the Short Doc category.

Kabul: Between Prayers wins top prize at 25th WATCH...

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Netherlands-based Aboozar Amini’s study of two brothers in the Afghan capital won in Main Competition. Additionally, Weronika Mliczewska's Child of Dust got the jury nod in Polish Competition, while Dmytro Hreshko’s Divia picked up the Green Dog Award. The 25th edition of the Polish-based human WATCH DOCS ran December 5-14.

REVIEWS

IDFA Luminous review: Weeping Rocks by Karlis Bergs and Andrew Siedenburg

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Just like its subject - 79-year old entomologist Professor Arthur M. Shapiro - this documentary is a wonderful example of focus, calm and modesty. With thoughtful persistence and an eye for detail, the film shows the life of a “slow scientist” who has made an enormous impact with his seemingly small deeds. It is a wonderful film to lose yourself in and reflect upon – a labour of love, not unlike the body of scientific work that Shapira has painstakingly built over more than half a century. 

IDFA International Comp: All My Sisters by Massoud Bakhshi

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In the intimate and personal, at times melancholic All My Sisters, two sisters’ coming of age in Iran is beautifully documented by their uncle. The subsequent film, in which the sisters are invited to observe and comment on the material he had shot for almost two decades, speaks of family, loyalty and compassion, but also of oppression and resistance.

IDFA Envision Comp review: Confessions of a Mole by Mo Tan

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In this entertaining, clever and very personal film, what at first appears to be a culture clash story about a Chinese film student returning home from Poland to her family in Huai’an, explodes – or rather, implodes – into something much more intensely and darkly personal, and therefore highly universal. What’s more, it includes some of the most intense and intimate arguments you will have ever witnessed in a documentary film.

IDFA Frontlight review: Steal this Story Please! by Carl Deal, Tia Lessin

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Amy Goodman is remarkable. As host and executive producer of Democracy Now, she is a multi-award-winning standard-bearer for independent journalism and a fearless advocate for a just society. Besides a multi-layered portrait, Steal this Story Please! film is a celebration of resistance and compassion, but which furthermore shows just how much the concept of a free press is in danger.

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