Interviews

After a change in Latvian law, Una tries to trace her sister who went missing decades ago during their adoption process. But then Una discovers that she has not one but four sisters, all scattered across the world. Her dramatic story is told in the new doc My Mother, The State by Ieva Ozolina. “Our goal is to deliver to the audience a moving human story which turns into a personal investigative journey,” says producer Madara Melberga.

Filmmaker Irina Maldea tells a timely story in her documentary project, selected for AJB DOC Industry. The ‘New Thinking’ of Mikhail Gorbachev was dismissed as Utopian fantasy, the director stresses, but nevertheless a chance for long-term peace was lost forever in the pursuit of short-term gain, and the war currently raging in Ukraine is, arguably, a direct consequence of the short-sightedness of over 30 years ago.

Business Doc Europe spoke to Ali Ben Mohamed, producer at UK-based outfit BM Entertainment Ltd. who is producing Finding the Way Home, one of the documentary projects being presented in the Main Pitch section of this year’s AJB DOC Industry, running in Sarajevo until 11 September. In the film, a Somali journalist walks back down 'the road of death' in search of his memories, and visits his hometown for the first time in 15 years.

‘A person who dies without a name is like a story without an ending,’ reads the logline for Pure Unknown, screening in AJB DOC Competition. The objective of Italian forensic pathologist Cristina Cattaneo, profiled in the film, is to make sure as many stories as possible do find an ending. “I completely fell in love with…her mission and her ethical approach to her work, to her life and to the lives of others,” co-director Mattia Colombo tells BDE.

The shocking and extraordinary story of Japanese reality TV star Tomoaki Hamatsu, nicknamed Nasubi, who was left alone naked in a room for 15 months and whose every move was watched on television by the Japanese public, is told in The Contestant, the startling new documentary by UK director Clair Titley, who talks to Business Doc Europe.

Does the subject or ‘star’ of a documentary really know what they are signing up for before agreeing to have their story told? Will the experience be cathartic or will ongoing public exposure determine that the trauma they have hitherto suffered will continue, or even intensify. Jennifer Tiexiera and Camilla Hall’s new film, five years in the making, talks to the subjects of some the most celebrated documentaries of recent years who reflect on their experiences of being in front of the camera.

Intrepid 52-year-old Bosnian athlete and filmmaker Tomislav Cvitanušić, a basketball star in Sarajevo as a youngster, recently made climbing Everest, the world’s highest mountain, his goal. His ascent is chronicled in new documentary, The Deepest Summit, screening this weekend at AJB Doc. Was there an ulterior motive? “To steal some of the media space from the everyday politics that is always quite pessimistic in the Balkans,” he tells BDE.

Parma-based filmmaker Matteo Ferrarini explains that Spring in Mariupol (screening in Competition in AJB Doc) is intended to give a very different perspective on the Ukrainian war than that provided by most of the western mainstream media. Many western journalists visited Mariupol during the siege but most left after a couple of days. Maurizio stayed put for the whole of the spring, he tells BDE, trying to understand what the city’s residents were enduring. The siege lasted until late May.

This year TIFF Docs presents 22 titles from 12 countries, 13 of which are world-premieres. The section opens September 7 with Copa 71 by Rachel Ramsay and James Erskine, about the unofficial Women's World Cup tournament of over 50 years ago hitherto written out of history. TIFF Docs Lead Programmer Thom Powers discusses his programme rationale with BDE.

Celine Daemen is back in Venice with 'Songs for a Passerby', described as a VR opera about our tenuous relationship with the transitory nature of reality. “I have attempted to create an experience that investigates the connection between the physical and the metaphysical world,” director Daelen says of her new work. In 2022 she presented the VR 'Eurydice, a Descent into Infinity' at the Venice interactive sidebar.